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Claire Dujarrier lived in that long Rue La Fontaine at Auteuil which partook of the characteristics of a suburban main street and a provincial faubourg, with its summer villas, its little cottages enclosed within gloomy little gardens, railed-off flower-beds, boarding-schools for young people, and elbowing each other as in some village passage, the butcher's store, the pharmacy, the wine-dealer's shop, the baker's establishment, a kind of little summer resort with a forlorn look in February, the kiosks and cottages half decayed, the gardens full of faded, dreary-looking leaves.

She was pale, already weary, and her beauty, heightened by this weariness, was "in full blast," as the former bungling artiste said in her capacity of a connoisseur. "After all," Dujarrier said to herself, "it is the favorable moment for success. One does not become a general except through seniority." Marianne also experienced the same feelings as the Dujarrier.

She found a flattering welcome in the most exclusive of salons; the cleverest men in the capital confessed the charm of her wit and surrounded her with their flatteries. M. Dujarrier, the most brilliant of them all, young, rich, and handsome, fell head over ears in love with her and asked her to be his wife. But the cup of happiness was scarcely at her lips before it was dashed away.

Claire Dujarrier, a former danseuse, whose black eyes, diamonds, wild extravagance, and love adventures were notorious formerly, had for the last two or three years buried herself in a little house, fearing that she would be assassinated; she kept her diamonds in iron-lined safes built in the wall, and had a young lover, a clerk in a novelty store, who was stronger than a market-house porter, and who from time to time assumed a high tone and before whom she stood in awe.

At the subsequent trial of Beauvallon she electrified the Court by declaring with streaming eyes, "If Beauvallon wanted satisfaction I would have fought him myself, for I am a better shot than poor Dujarrier ever was." And she was probably only speaking the truth, for her courage was as great as the love she bore for the victim of the duel.

Suddenly from the depths of her memory she recalled a form, confused at first, but quickly remembered vividly, of an old woman against whom she had formerly jostled, in the chance life she had led, and who, once beautiful, and still clever and rich, it was said, had been seized with a friendly desire to protect Marianne. It was a long time since the young woman had thought of Claire Dujarrier.

Since the moment when it had entered her mind that she might find something more than a lover in Monsieur de Rosas, Marianne had been sorely puzzled. She was playing a strong hand. Between the minister and the duke she must make a choice. She did not care seriously for Vaudrey. In fact she found that he was ridiculously unreserved. "He is a simple fellow!" she said to Claire Dujarrier.

It was here that Marianne, in carrying out her determination, entered with a high head, resolved to cast off her sombre misery or to sink, her plans defeated. The Dujarrier had greatly assisted her in taking up her abode, building her hopes on Mademoiselle Kayser's beauty as on some temporary profitable investment. As the old woman looked at her, she shook her head. Marianne had to be quick.

It seemed that Marianne was expecting this word money, coarse but eloquent, in order to tell Vaudrey that an old friend, Claire Dujarrier, was on intimate terms with a certain Adolphe Gochard, who upon the endorsement of a responsible person, would certainly advance a hundred thousand francs that he had at this moment lying idle.