Vietnam or Thailand ? Vote for the TOP Country of the Week !
Updated: May 23, 2025
Never did Christmas board display a more goodly and gracious assemblage of countenances; those who were not handsome were, at least, happy; and happiness is a rare improver of your hard-favoured visage. I always consider an old English family as well worth studying as a collection of Holbein's portraits or Albert Durer's prints.
"But you saw him yesterday for the first time!" No, she became a victim so readily to love's torment, Eva tells Lene, because she had long known him in a picture, Albrecht Dürer's painting of David, after the slaying of Goliath, his sword at his belt, his sling in his hand, his head brightly encircled with fair curls.
His fleshless face peers from behind a bush at Zatzinger's stunted, fever-stricken lady and imbecile gentleman; he sits grinning on a tree in Orso Grafs allegory, while the cynical knights, with haggard, sensual faces, crack dirty jokes with the fat, brutish woman squatted below; he puts his hand into the basket of Dürer's tattered pedlar; he leers hideously at the stirrup of Dürer's armed and stalwart knight.
It in no wise suggested the calling of an artist, perhaps because artists had not begun in Durer's time to take themselves so objectively as they do now, but it implied the life of a prosperous citizen, and it expressed the period.
This magic city, which seems like one of those in Albert Dürer's cuts, rises at a distance as if within walls. I stand in the roadside alone, deserted, the sole traveller set down. The train has flown on into the night with a shriek. The sleepy porter wonders, and looks at me askance.
He strangely attributes this to an imitation of Dürer's Rosenkranzfest, painted some eight years previously for the Church of San Bartolommeo, adjacent to the Fondaco de' Tedeschi.
In Albert Durer's composition, Mary is sinking to the earth, as if overcome with affliction, and is sustained in the arms of two women; she looks up with folded hands and streaming eyes to her Son who stands before her; he, with one hand extended, looks down upon her compassionately, and seems to give her his last benediction.
I shall not attempt to define for you to-day the more complex but much shallower forms which this love of light, and the philosophy that accompanies it, take in the mediæval mind; only remember that in future, when I briefly speak of the Greek school of art with reference to questions of delineation, I mean the entire range of the schools, from Homer's days to our own, which concern themselves with the representation of light, and the effects it produces on material form beginning practically for us with these Greek vase paintings, and closing practically for us with Turner's sunset on the Temeraire; being throughout a school of captivity and sadness, but of intense power; and which in its technical method of shadow on material form, as well as in its essential temper, is centrally represented to you by Dürer's two great engravings of the "Melencolia" and the "Knight and Death."
You can see, time after time, in Durer's work, as you can see in the imaginary architectural landscape of the Pompeian walls, the dream of structures, lighter and bolder than stone or brick can yield.... These Utopian town buildings will be the realisation of such dreams. Here will be one of the great meeting places of mankind.
"It is too grim a picture for these walls, and stares at its companions like the mummy at Egyptian banquets." "On the contrary, it impresses me as grotesque in comparison with Durer's 'Melancholy, yonder, or with Holbein's 'Les Simulachres de la mort."
Word Of The Day
Others Looking