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Updated: June 21, 2025


The truth is that Dryden stood at once too near, and too far from, the ideals of Corneille to appreciate them altogether at their just value.

Corneille, it is true, gives out the whole as his own invention; but we must not forget, that only when hard pressed did he acknowledge how much he owed to the author of the Spanish Cid.

His "Cato" is a masterpiece, both with regard to the diction and to the beauty and harmony of the numbers. The character of Cato is, in my opinion, vastly superior to that of Cornelia in the "Pompey" of Corneille, for Cato is great without anything like fustian, and Cornelia, who besides is not a necessary character, tends sometimes to bombast. Mr.

Still over that scene hung the spells of a genius which, if artificial and cold, was also vast, stately, and magnificent, a genius which had swelled in the rich music of Racine, which had raised the nobler spirit and the freer thought of Pierre Corneille,* which had given edge to the polished weapon of Boileau, which had lavished over the bright page of Moliere, Moliere, more wonderful than all a knowledge of the humours and the hearts of men, which no dramatist, save Shakspeare, has surpassed.

Gray never sate down to compose any poetry without previously, and for a considerable time, reading the works of Spenser." But the circumstance was not unusual with Malherbe, Corneille, and Racine; and the most fervid verses of Homer, and the most tender of Euripides, were often repeated by Milton. Even antiquity exhibits the same exciting intercourse of the mind of genius.

There, is the formula, as I apprehend, of his success of his extraordinary hold on things so alien from himself. And I think there is more real hilarity in my brother's fetes champetres more truth to life, and therefore less distinction. Yes! The world profits by such reflection of its poor, coarse self, in one who renders all its caprices from the height of a Corneille.

To play the part of his wife, to hear him say to her, to respond with the affectionate and familiar 'toi', was so amusing! It was droll to see her cut out her husband in chemistry, history, and grammar, and make him confound La Fontaine with Corneille. She had such a little air while doing it!

Corneille himself was talked into a belief of it. He appears, however, to me fully justified in what he has done. If the murder of Camilla had not made a part of the piece, the female characters in the first act would have been superfluous; and without the triumph of patriotism over family ties, the combat could not have been an action, but merely an event destitute of all tragic complication.

This theatre was altered and lighted with gas, in 1835, and will contain about seventeen or eighteen hundred persons. The ceiling was painted by Lemoine, a native of this city, and represents the apotheosis of Corneille. The peristyle fronting the rue des Charrettes is in the form of a quarter of a circle and is composed of columns of the ionic order.

It was during the period of Richelieu's ministry that Paris flowered the most profusely. The constructions of this epoch were so numerous and imposing that Corneille in his comedy "Le Menteur," first produced in 1642, made his characters speak thus: Dorante: Paris semble

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