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Updated: June 26, 2025


At the theatre, on the numerous July evenings when the Comédie Française exhibited the repertory by the aid of exponents determined the more sparse and provincial audience should have a taste of the tradition, her appreciation was tremendously technical and showed it was not for nothing she was now in and out of Madame Carré's innermost counsels.

Carre's Vindication, if he has done his Duty. If there are any material circumstances against Lieut. Cranstoun, some further enquiry should be made after him. Forgive me for adding one thing more that it should be pointed out to Mr. Attorney to consider whether the crime of the Daughter, who, as I apprehend, lived with & was maintained by her Father, may not be Petty Treason. I am, always, etc.,

All reflexion is affectation, and all acting's reflexion." "I don't know mine's instinct," Miriam contended. "My dear young lady, you talk of 'yours'; but don't be offended if I tell you that yours doesn't exist. Some day it will if the thing comes off. Madame Carré's does, because she has reflected.

In England Shakespeare's tragedy is fortunately so familiar that such a ridiculous parody of it as MM. Barbier and Carré's libretto has not been found endurable.

The last act is perhaps the weakest part of the opera. MM. Barbier and Carré's version of Shakespeare's magnificent poetry is certainly not inspiring; but in any case it is difficult to believe that Gounod's suave talent could have done justice to the piteous tragedy of that terrible scene. Gounod's last three operas did not add to his reputation.

Peter, from his bench, watched his friend a little, turning his eyes from her to the vivid image of the dead actress and thinking how little she suffered by the juxtaposition. Presently he came over and joined her again and she resumed: "I wonder if that's what your cousin had in his mind." "My cousin ?" "What was his name? Mr. Dormer; that first day at Madame Carré's.

She had looked slightly bête even when Sherringham, on their first meeting at Madame Carré's, said to Nick Dormer that she was the image of the Tragic Muse. Now, at any rate, he seemed to see that she might do what she liked with her face. It was an elastic substance, an element of gutta-percha, like the flexibility of the gymnast, the lady at the music-hall who is shot from the mouth of a cannon.

"What a splendid scolding!" the new visitor exclaimed when, on the entrance of the Pope's legate, her companion closed the book on the scene. Peter pressed his lips to Madame Carré's finger-tips; the old actress got up and held out her arms to Miriam. The girl never took her eyes off Sherringham while she passed into that lady's embrace and remained there.

They walk in pairs, bolt upright, looking neither right nor left, talking little as they hurry along toward the old Louvre, and are soon swallowed out of sight in the gathering mist, out of which the gaslights glimmer faintly. They are all on their way to dine on the right bank. I am going to dine on the left bank, at Carre's, where one sees many odd customers. Farewell, river!

In theory there was nothing he valued more than just such a logical passion as Madame Carré's, but it was apt in fact, when he found himself at close quarters with it, to appear an ado about nothing.

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