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Updated: May 29, 2025
Involuntarily, and despite the novel counter fascination of the stage, his eyes turned to the Celimene in her splendor; he glanced furtively at her every moment; the longer he looked, the more he desired to look at her. Mme. de Bargeton caught the gleam in Lucien's eyes, and saw that he found the Marquise more interesting than the opera.
"Monsieur, you forget yourself strangely," the Duchess retorted coolly, as she laid aside her role of man and mistress, and became not merely an angel again, but a duchess, and not only a duchess, but Moliere's Celimene. The Duchesse de Maufrigneuse made a stately bow to these four personages, and drew from the Chevalier his last tear of admiration at the service of le beau sexe.
Celimene, in Moliere, bears the whole frais of the conversation; and this female La Bruyere's tedious and solitary dissections of character would be as little borne on the English stage, as the quick and dazzling movement of so many lancets of wit as operate in the School for Scandal would be tolerated on that of the French. It is frequently said that Mr.
M. Rostand's Cyrano de Bergerac is not merely Cyrano, but also M. Constant Coquelin; M. Sardou's La Tosca is not merely La Tosca, but also Mme. Sarah Bernhardt; Molière's Célimène is not merely Célimène, but also Mlle. Molière; Shakespeare's Hamlet is not merely Hamlet, but also Richard Burbage.
Abington and Miss Farren, the latter elegant and spirited actress being held by those who had seen both less like the original great lady than her predecessor; while even the Théâtre Français, where consummate study and reverend tradition of elder art still prevail, has lost more and more the secret of la grande manière in a gradual descent from the grande dame of Mademoiselle Contat to the pretty, graceful femme comme il faut of Mademoiselle Plessis; for even the exquisite Célimène of Mademoiselle Mars was but a "pale reflex" of Molière's brilliant coquette, as played by her great instructress, Contat.
Millamant side by side with Celimene is an example of how far the realistic painting of a character can be carried to win our favour; and of where it falls short. Celimene is a woman's mind in movement, armed with an ungovernable wit; with perspicacious clear eyes for the world, and a very distinct knowledge that she belongs to the world, and is most at home in it.
The curtain had descended on the first act, and traditionally, as the works of M. de Moliere demanded it, the three knocks were heard again without any interval. St. The curtain was being slowly drawn up on the second act, and disclosed Alceste in wrathful conversation with Celimene. Alceste's opening speech is short.
She would have sketches of scenes between Delphica and M. Falarique, with whom the young Germania was cleverly ingenuous indeed a seminary Celimene; and between Delphica and M. Mytharete, with whom she was archaeological, ravishingly amoebaean of Homer. Dr. Gannius holds a trump card in his artless daughter, conjecturally, for the establishment of the language of the gutturals in the far East.
M. Rostand's Cyrano de Bergerac is not merely Cyrano, but also Constant Coquelin; Sardou's La Tosca is not merely La Tosca, but also Mme. Sarah Bernhardt; Molière's Célimène is not merely Célimène, but also Mlle. Molière; Shakespeare's Hamlet is not merely Hamlet, but also Richard Burbage.
Throw Celimene into the current of genuine passion I do not mean the brutality of Alceste I will wager that coquetry will be swept away by love. I had such faith in mine that I thought to be able to fix the moment when I should call myself victorious and sure of being obeyed.
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