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Updated: May 6, 2025
I stood there, not daring to move; he was still confronting us, an immense figure in his white nightshirt, crowned with the pink and violet scarf of Indian cashmere in which, since he had begun to suffer from neuralgia, he used to tie up his head, standing like Abraham in the engraving after Benozzo Gozzoli which M. Swann had given me, telling Sarah that she must tear herself away from Isaac.
This picture, afterwards repeated by Benozzo Gozzoli with some change in the persons, has been minutely described, because it is important to bear in mind the measure of inspiration conceded by the mediaeval Church to the fathers of Greek philosophy, and her utter detestation of the peripatetic traditions transmitted through the Arabic by Averroes.
But Benozzo cares, in his theology, for nothing but the story, the scene and the drama the chance to pile up palaces and spires in his backgrounds against pale blue skies cross-barred with pearly, fleecy clouds, and to scatter sculptured arches and shady trellises over the front, with every incident of human life going forward lightly and gracefully beneath them.
In those last years of the fifteenth century, Rome was a city of the Middle Ages. The cupola of the Pantheon, the circular hulk of the Colosseum, and the twin columns of Trajan and Antoninus projected, like the fantastic antiquities of some fresco of Benozzo Gozzoli, above domeless church roofs, battlemented palace walls, and innumerable Gothic belfries and feudal towers.
There are charming women, however, on the other side of the cloister in the beautiful frescoes of Benozzo Gozzoli. If Orcagna's work was appointed to survive the ravage of time it is a happy chance that it should be balanced by a group of performances of such a different temper.
Many another delightful or surprising thing may be found in the old church, which has more than once suffered from restoration. In a chapel in the right aisle Lorenzo Monaco has painted the Annunciation, while, close by, you may see a beautiful altar by Benedetto da Rovezzano. Over the high altar is the crucifix which bowed to S. Giovanni Gualberto, who forbore to slay his brother's murderer; but the chief treasure of the church is the tomb in the left transept of Benozzo Federighi, Bishop of Fiesole, by Luca della Robbia. It was in the year 1450 that Luca finished his most perfect work in marble begun and finished, as it is said, within the year the tomb of Bishop Federighi. And here, as one might almost expect, remembering his happy expressive art in many a terra-cotta up and down in Italy, he has thought of death almost with cheerfulness, not as oblivion, but as just sleep after labour. Amid a profusion of natural things fruits, garlands, grapes the old man lies half turned towards us, at rest at last. Behind him Luca has carved a Piet
Thomas Aquinas by Benozzo Gozzoli, described by Vasari. On opposite wall, 1272, formerly assigned to Masaccio: portraits of Giotto, the artist himself Paolo Uccelo, Donatello, Manetti and Brunelleschi; painted, says Vasari, "that posterity might keep them in memory." R. of this is 1273, a battle scene by the same, similar to that in our National Gallery.
Death and the world are indeed immitigable; the corpses in their coffins are as terrifying to the gay lords and ladies who come suddenly upon them as ever they were, though doubtless of no more lasting effect with such sinners than they would be nowadays. But what one must chiefly lament is the waste of the whole quaint and charming series of Scripture incidents by Benozzo Gozzoli.
Now, you will not declare you cannot believe that Angelico painting the life of Christ, Benozzo painting the life of Abraham, Ghirlandajo painting the life of the Virgin, Giotto painting the life of St.
This Riccardi palace, as Cosmo observed after his poor son Peter had become bed-ridden with the gout, was a marvellously large mansion for so small a family as one old man and one cripple. It is chiefly interesting, now, for the frescos with which Benozzo Gozzoli has adorned the chapel.
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