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Updated: June 18, 2025


La Boutique Fantasque, which is not only the most amusing, but the most beautiful, of Russian ballets, balances on a discord. Even the fun of Derain is not the essentially modern fun of Massine. Derain is neither flippant nor exasperated; he is humorous, and tragic sometimes.

"A week after one of my husband's ballets was given. It was so well received that the audience encored it with enthusiasm. Ricla gave orders that the public should be satisfied, and all the dancers were told they would have to reappear. "Nina, who was almost undressed, told my husband to do as best he could, as she was not going to dance again.

There was Lulli in music; Beauchamp in ballets; Corneille and Racine in tragedy; Moliere in comedy; La Chamelle and La Beauval, actresses; and Baron, Lafleur, Toriliere, and Guerin, actors. Each of these persons was excellent in his way.

He then brought out several ballets at the Académie, but returned to the Opera Comique again, where, between 1840 and 1866, he composed thirteen operas, the most successful of which were "Le Songe d'une nuit d'été" , "Raymond" , "Psyche" , and "Mignon" . During this period he also wrote a large number of cantatas, choruses, part-songs, and instrumental works.

The king told him he could do nothing for him, as Branicki maintained he had only given insult for insult. I saw Tomatis, who told me in confidence that he could easily take vengeance, but that it would cost him too dear. He had spent forty thousand ducats on the two ballets, and if he had avenged himself he would have lost it nearly all, as he would be obliged to leave the kingdom.

In Paris, his heart sank to mere pulp before the dismal ballets at the Grand Opera and the eternal vaudeville at the old Palais Royal; but, except for them, his own Paris of the Second Empire was as extinct as that of the first Napoleon.

Sometimes you see a space cleared in the street, and a foreigner playing, while a girl weather-beaten, tanned, and wholly uncomely in face and shabby in attire dances ballets. The common people look on, and never criticise or treat any of these poor devils unkindly or uncivilly; but I do not observe that they give them anything.

The former Illustrious Gaudissart, in fact, was exploiting the theatre simply and solely for his own particular benefit, and with brutal disregard of other interests. He first insinuated himself as a collaborator in various ballets, plays, and vaudevilles; then he waited till the author wanted money and bought up the other half of the copyright.

The ballets, obviously fabricated by the same persons as the costumes, had no plot, no beginning and no end.

The music consisted of a tambourine, a flageolet, and a bagpipe. Much has been written concerning the indecency of these dances; but I am of opinion that many of our ballets afford much greater cause of complaint. It may, however, be that other dances are performed of which the general public are not allowed to be spectators; but I only speak of what is done openly.

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