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They soon got to understand one another, yet for a long while merely communicated by means of notes at fetes, or during the performance of allegorical ballets and operettas, the airs in which sufficiently expressed the nature of such missives.

Perhaps the most popular part of the performance was the music and dancing, whether by individual actors or as ballets, accompanied by the flageolet, the lyre, or the cymbals. In comedy there was apparently no originality. As in the oldest days of their drama the Romans had copied the Greeks, so they copied them still.

Shakspeare was played to empty benches; the Peri and Gisele fill the houses. We repeat, therefore, since such is the bent of public appetite, let it be gratified in the least objectionable way. Let us have a royal academy of dancing. We shall easily find some Earl of Westmoreland to compose its ballets, and lady patronesses to give an annual ball for the benefit of the institution.

It was understood that no active military operations would take place until the late summer, so the gay dogs of officers and the merry ladies who danced in the court ballets, and flitted about like butterflies in the sun, had to make the most of Paris then. The pace at which they went was killing and Francezka and Gaston Cheverny were not the last in this race.

The king was making his preparations for war with the most profound secrecy; he worked only at night, and gave up his entire time seemingly to pleasures and amusements. He was daily occupied with concerts, balls, operas, and ballets; he had just returned from seeing the rehearsal of a new opera, in which Barbarina danced; he was gay and gracious.

Benoist was a very ordinary organist, but an admirable teacher. A veritable galaxy of talent came from his class. He had little to say, but as his taste was refined and his judgment sure, nothing he said lacked weight or authority. He collaborated in several ballets for the Opéra and that gave him a good deal of work to do.

On quitting the Rue des Ballets at daybreak, he had returned in haste to the elephant, had artistically extracted from it the two brats, had shared with them some sort of breakfast which he had invented, and had then gone away, confiding them to that good mother, the street, who had brought him up, almost entirely.

His tailor had a habitation in Sackville Street, and his gloves came from the Burlington Arcade. He often lunched at the Berkeley and frequently dined at Willis's. Also he had laughed at the antics of Arthur Roberts, and gazed through a pair of gold-mounted opera-glasses at Empire ballets and at the discreet juggleries of Paul Cinquevalli. The romance of cloistered saintliness was not his.

You would never guess this sturdy, broad-shouldered man has created delicious music fairy ballets, pantomimes, and operettas. All Paris has applauded him for years, and his country has rewarded him with a narrow red ribbon. Rough-bearded, bronzed like a sailor, his brown eyes gleam with kindness and intelligence.

The libretti for the ballets of "La Sylphide," "La Tempête," "L'île des Pirates," "Le Diable Boiteux," etc., as danced by Taglioni and Fanny Elssler, were written by this versatile man, and he composed many charming songs, which are still favorites in French drawing-rooms.