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Updated: June 12, 2025


Thanks to his influence, as well as to his acquaintances among the Manichees, he was a valuable friend for the new arrival, a friend who could aid him, not only with his purse, but with advice. Without much capacity for theorizing, this Alypius was a practical spirit, a straight and essentially honest soul, whose influence was excellent for his impetuous friend.

Among his pupils he numbered Licentius and Alypius two names indissolubly bound up with the story of Augustine's life. His place among the learned and first men of that ancient city was made doubly secure when, at a public contest in poetry, he was awarded the prize, and was crowned with the laurel by the Proconsul, Vindician, before the assembled people and most celebrated minds of the city.

If he guessed from this upheaval of his whole frame how close at hand was the heavenly visitation, all he felt at the moment was a great need to weep, and he wanted solitude to weep freely. He went down into the garden. Alypius, feeling uneasy, followed at a distance, and in silence sat down beside him on the bench where he had paused. Augustin did not even notice that his friend was there.

Sedition! 'Down with him! was the cry; and the man in authority, Alypius, the prefect, himself added his voice. The gladiators, enraged at interference with their vocation, cut him down. Stones, or whatever came to hand, rained down upon him from the furious people, and he perished in the midst of the arena! He lay dead, and then came the feeling of what had been done.

She came from the Cataract, where she had been bought when the family of Alypius accompanied the child Cleopatra to the island of Philae. Anukis was given to Charmian, who at the time was just entering womanhood, as the first servant who was her sole property, and she had proved so clever, skilful, apt to learn, and faithful, that her mistress took her, as her personal attendant, to the palace.

Augustin was not, like his friend Alypius, a practical mind, but he had tact, and in spite of all the impulsiveness and mettle of his nature, a certain suppleness which enabled him to manoeuvre without too many collisions in the midst of the most embarrassing conjunctures. Through instinctive prudence he prolonged his indecision.

The only writings by Alypius now remaining are his Introduction to Music; in which he explains the notation of the fifteen modes or tones in their respective kinds of diatonic, chromatic, and enharmonic. His signs are said to be Pythagorean. They are in pairs, of which one is thought to represent the note struck on the lyre, and the other the tone of the voice to be sung thereto.

There, before the door, was a boy so young as to be likely, not apprehending any harm to his master, to disclose the whole. For he had attended his master to the market-place. Whom so soon as Alypius remembered, he told the architect: and he showing the hatchet to the boy, asked him "Whose that was?" "Ours," quoth he presently: and being further questioned, he discovered every thing.

However, Augustin put conjugal delights before him with so much heat, that he too began to turn his thoughts that way, "not that he was overcome by the desire of pleasure, but out of curiosity." For Alypius, marriage would be a sort of philosophic and sentimental experience. Here are quite modern expressions to translate very old conditions of soul.

This is Eulogius, who was later on a rhetorician at Carthage, and of whom Augustin relates an extraordinary dream. Finally, there was Alypius, a little younger than himself, his friend "the brother of his heart," as he calls him. Alypius had been attending his lessons at Thagaste.

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