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Updated: May 16, 2025
Admit that the Allegro and Penseroso of Milton are not without merit; but repay yourself for this concession, by reprinting at length the two poems on the University Carrier! As a fair specimen of his Sonnets, quote and, as characteristic of his rhythm and metre, cite his literal translation of the first and second Psalm!
But it is a mere difference of mode; and is not greater, I think, than the difference between the descriptions in the "Allegro," and the descriptions in "Men and Women;" than the difference between the love of our Elizabethans for the minuter details of the country, the flowers by the stream, the birds in the bushes, the ferrets, frogs, lizards, and similar small creatures; and the pleasure of our own contemporaries in the larger, more shifting, and perplexing forms and colours of cloud, sunlight, earth, and rock.
"King" McAllister had bequeathed to his daughter many of his strong characteristics his resolution, his gay courage, his contumacious self-reliance, his pride as a reigning monarch of hoofs and horns. /Allegro/ and /fortissimo/ had been McAllister's temp and tone. In Santa they survived, transposed to the feminine key.
This, however, is by no means so simple a matter as it appears. Older composers probably felt so, for they are content with the simplest general indications. Haydn and Mozart made use of the term "Andante" as the mean between "Allegro" and "Adagio," and thought it sufficient to indicate a few gradations and modifications of these terms.
"I think he has a great many good points; there is something strong and admirable about him, but good-looking never! His features are too uneven, too big-boned." "Just like a woman!" exclaimed Porter testily. "I suppose you think that apology on your other side a beau ideal!" Nina glanced critically toward the small features and blond curls of Allegro. "No," she said, "he is much too effeminate."
I arrest the waves of the sea, and the depths shall be visible; or, I stem the clouds, disperse the mist, and show the pure blue ether and the glorious eye of the sun. For this I put fermatas, sudden long-sustained notes in my Allegro.
"It's my only chance!" urged Violet, in a voice that was beginning to break. "Oh, how can you hesitate? Are you all in league against me? Allegro! Allegro!" "There, dear, there! It's all right. Don't worry!" Swiftly Olga collected herself and spoke. "There's nothing to be afraid of. No one shall keep you against your will." "You promise, Allegro?"
Her voice broke. She turned to the girl in the bed with eyes grown terrible in their wild anguish of pain. "Allegro!" she cried. "Allegro! Give him up! Give him up if not for my sake for your own! You couldn't be happy with him!"
It is not long since I had a letter from home, they will not write soon, and by this time he, who is so kind and good, will be in good health and return. I am composing here a Sonata in B flat minor, in which will be the Funeral March which you have already. There is an allegro, then a "Scherzo" in E flat minor, the "March," and a short "Finale" of about three pages.
The further course of the tune here is in eccentric, resolute stride in the descending scale. Our new answer is much evident in the bass. The Allegro seems a mere irruption; for the Lento prelude reappears in full solemnity. Indeed, with all the title and pace, this seems very like the virtual "slow" movement.
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