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Updated: June 19, 2025
The adagio of Beethoven's symphonies, certain scenes from Gluck's Alceste and Armide, an air from his Italian opera Telemacco, the Elysian fields of his Orfeo, will bring on rather bad attacks of this suffering; but these masterpieces bring with them also an antidote they make one's tears flow, and then the pain is eased. Who does not know his passion for Henrietta Smithson? It was a sad story.
He found Scarlatti's musicians able to play at first sight as well as his own did after rehearsals, and, the performance going off well, he was again admitted to play, this time one of his sonatas, in the royal presence. The king found the adagio so long and dry that he quitted the room, much to Corelli's mortification. But greater trouble was in store for the virtuoso.
"Tannhauser" will be given here next Sunday. I have studied the part with Liebert, and think that he will do it well. The whole finale of the second act will be given, also the new close with the reappearance of Venus, and on an early occasion I mean to restore the sixteen bars in the adagio of the finale of the second act which I believe T. had cut; that is, if you agree.
This naive account may serve to show the impression created on the minds of those not trained to guard their words with moderation. "Nothing can be more intense in feeling," said a contemporary critic, "than his conception and delivery of an adagio passage.
I did not write fermatas in jest, or because I was at a loss how to proceed; I indulge in the fullest, the most sustained tone to express emotions in my Adagio; and I use this full and firm tone when I want it in a passionate Allegro as a rapturous or terrible spasm. Then the very life blood of the tone shall be extracted to the last drop.
I then played the concertos in C, in B, and in E flat, and after that a trio of mine. This was finely accompanied, truly! In the adagio I was obliged to play six bars of his part. As a finale, I played my last divertimento in B; they all pricked up their ears. I played as if I had been the greatest violin-player in all Europe.
When the fame of Paganini reached him he set forth to Italy, that he might profit by hearing the great virtuoso, and when the opportunity came at Piacenza, he distinguished himself by being the only person in the audience to applaud the first adagio.
After an adagio opening in which flute and piano were at magnificent cross purposes from the beginning, the two instruments plunged into an allegro very long and very fast, which became ultimately a desperate race between the competing performers for the final chord. Mr.
Moreover, it is familiar to us in the Church chant. This effect we have in the beginning of the Scherzo. Many of us do not know the true African manner, here. But in the major it is much more barbarous. We soon see stealing out of the beginning Adagio an eccentric pace in motion of the bass, that leads to the burst of main subject, Allegro molto, with a certain
"It is finished at last," said the prince, laying aside his pen. "My adagio is finished, and I think Quanta will have no excuse for grumbling to-day; he must be contented with his pupil. This adagio is good; I feel it; I know it; and if the Bendas assume their usual artist airs, I will tell them ; no, I will tell them nothing," said the prince, smiling.
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