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Exasperated at the nonchalant manner in which Louis's ambassadors treated him, indignant at the injury to his heritage by the redemption of the towns on the Somme, and further, already alienated from his royal cousin through the long series of petty occasions where the different natures of the two young men clashed, in this year 1464, Charles was certainly more than ready to enter into an open contest with the French monarch.
Lastly, as if he had not done enough to offend the nobles, Louis in 1464 attacked their hunting rights, touching them in their tenderest part. No wonder that this year saw the formation of a great league against him, and the outbreak of a dangerous civil war.
The second story, which existed as a kind of tower above each end of the façade, was thrown down by the great earthquake, and never rebuilt. The loggia has stone benches against the walls, one to the left, and two, one above the other, to the right, which were the seats for senators on great fête days. In 1462 there was another fire, so that only fragments of Onofrio's work remain the hall on the ground floor with the seventeenth-century wooden ceiling, several of the caps of the loggia, and the courtyard within, the great door and the windows of the first floor. This is all that appears to have been preserved. The great council then called in Michelozzo the Florentine and George of Sebenico. The former was at Ragusa in 1463, looking after the building of the walls of the city; and on February 11, 1464, it was ordered "that the palace be rebuilt" after his designs; but, in the following June, George of Sebenico was appointed, working, no doubt, on the general lines laid down by Michelozzo. The great hall was burnt during the French siege, and very little remains inside worthy of note. There are two tolerable pictures, one an early copy of the Paris Bordone in the National Gallery, the Venus and Adonis, and the other, a Baptism of Christ, in the manner of Paduan work of the fifteenth century. Both have been restored. The courtyard has an arcade of round arches, resting on cylindrical columns with Renaissance caps, and an upper arcade resting on twin columns and piers, two arches to each bay, both stories being vaulted with sustaining arches, but without ribs. The loggia in front has ribs and bosses at the intersections. A small staircase to the right contains other remains of Onofrio's building a bracket, on which is carved a figure of Justice holding a label, and with a mutilated lion on each side of her; opposite to it is a capital, on which is carved the Rector administering justice; neither of them in their original place. The main doorway is pointed with a richly carved moulding and caps, which belong to Onofrio's work; above it is S. Biagio in a Renaissance niche, and between the caps and the arch a shallow frieze is interposed, on which are carved little figures engaged in combats, a love scene, and Cupids with an organ and trumpets. The corbels from which the vaults spring are carved, the subjects being two groups of boys playing, a man fighting a dragon or basilisk with club and little target, a struggle between a girl and a bear, &c. The doors at the end, the Porta della Carit
It was, no doubt, his sense of the youthful Moro's talents that made Francesco choose him, at the age of thirteen, to be the leader of the body of three thousand men which were to join in the Crusade preached by Pope Pius II. On the 2nd of June, 1464, the ducal standard, bearing the golden lion of the house of Sforza and the adder of the Visconti, was solemnly committed to the charge of the young Crusader, before the eyes of the whole court, on the piazza in front of the old palace, which was gaily decorated for the occasion with garlands and tapestries.
Between him and Desmond there existed the bitterest animosity. In 1464, nine of the Deputy's men were slain in a broil in Fingall, by tenants or servants of the Bishop. The next year each party repaired to London to vindicate himself and criminate his antagonist.
In the year 1464, on the 15th of May, being the Tuesday after the Feast of the Ascension of our Lord, Hubert, son of Nicholas, of Amersfoort, who was thirty-five years old, was invested as a Convert of our House. For some years he had been town crier, and he was well beloved, being a trusty friend to the devout Brothers and Sisters in their business.
In the large piazza which stretches to the south-east of the cathedral are two well-heads and the "fontico" or place where corn was sold cheaply to the poor, a building of 1432, restored in 1529, plentifully studded with coats of arms. Opposite the Palazzo Comunalelis the Loggia, now a café, built in 1464 for a literary academy.
This Dom Duarte de Menezes, third count of Viana, was, as an inscription tells, first governor of Alcacer Seguer, which with five hundred soldiers he successfully defended against a hundred thousand Moors, dying at last in the mountains of Bonacofú in defence of his king in 1464.
His knowledge of business, however, induced him, either upon his own account or as agent of some merchant, to travel to the Low Countries for a short time. In 1464 we find him joined in a commission with one Robert Whitehill, to continue and confirm a treaty of trade and commerce between Edward IV. and Philip, Duke of Burgundy; or if they find it necessary, to make a new one.
Genoa fell under the yoke of Ludovico, who was invested with it by Charles VIII. as a fief of France. VENICE. Venice, which up to the fall of Constantinople had been the strongest of the Italian states, forgot its duties and its dangers in relation to the Turks, in order to aggrandize itself in Italy. It could not avoid war with them, which broke out in 1464.
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