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Updated: June 4, 2025
Harrison, in Fielding's Amelia, is represented as the most benevolent of human beings; yet he takes in execution, not only the goods, but the person of his friend Booth. Dr. Harrison resorts to this strong measure because he has been informed that Booth, while pleading poverty as an excuse for not paying just debts, has been buying fine jewelry, and setting up a coach.
Fielding's discourse! So versatile; so bending to the changes of the occasion; so obsequious to my curiosity, and so abundant in that very knowledge in which I was most deficient, and on which I set the most value, the knowledge of the human heart; of society as it existed in another world, more abundant in the varieties of customs and characters, than I had ever had the power to witness.
His eye was fixed on Fielding Bey, and the eye of Fielding Bey was on the Lost One. All at once Dicky understood why it was that Fielding Bey had shrunk from coming to Hasha. Fielding might have offered many reasons, but this figure before them was the true one. Trouble, pity, anxiety, pride, all were in Fielding's face.
There was that funny old Duchess, and old Madame Bernstein, with Lady Maria at her side; and Mr. Wolfe, of course, by the side of Miss Lowther, and singing with her out of the same psalm-book; and Mr. Richardson with a bevy of ladies. One of them is Miss Fielding, papa tells them after church, Harry Fielding's sister. "Oh, girls, what good company he was!
His eyes, however, as they fell on Fielding's, softened in a peculiar way, and a troubled look flashed through them; for Fielding's face was drawn and cold, though the eyes were feverish, and a bright spot burned on his high cheek-bones. "No, it isn't all, Dicky. The devil's in the whole business. Steady, sullen opposition meets us at every hand.
Perhaps Smollett suspected Fielding, whom he attacks in several parts of his works, treating him as a kind of Jonathan Wild, a thief-taker, and an associate with thieves. Why Smollett thus misconducted himself is a problem, unless he was either "meanly jealous," or had taken offence at some remarks in Fielding's newspaper.
Fielding until the publication of the True Patriot in 1745 another comparative blank ensues in Fielding's history; and it can only be filled by the assumption that he was still endeavouring to follow his profession as a barrister. His literary work seems to have been confined to a Preface to the second edition of his sister's novel of David Simple, which appeared in 1744.
Dicky came over to him, and was about to speak, but a motion of Fielding's hand stopped him. The hand said: "Let them fight it out." In a paroxysm of passion Selamlik Pasha called two Abyssinian slaves standing behind. "This brother of a toad to prison!" he said. The Lost One's eyes sought Dicky like a flash.
Swine of a leper!" The whole frame of the Lost One was still, but the voice was shaking, querulous, half hysterical; the eyes were lighted with a terrible excitement, the lips under the grey moustache twitched; the nervous slipshod dignity of carriage was in curious contrast to the disordered patchwork dress. The trouble on Fielding's face glimmered with a little ray of hope now.
In Fielding's case that kind was narrative of a peculiar sort, half-sentimental, half-satirical, and almost wholly sympathetic narrative which has the singular gift of portraying the liveliest character and yet of admitting the widest disgression and soliloquy.
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