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Updated: May 15, 2025


Is not the progressive evolution of the ages more sublime than spontaneous precocity? Restoring to normal functions ear, eye, and tongue is not so miraculous as are continuous creations of auricular and visual senses, with all the wondrous resulting harmonies of speech, sound, and song. Healing an 'unclean' wretch of his foul disorder ranks not the healthy rhythm of an infant's pulse.

On the evening on which Mr Asterias had caught a glimpse of a female figure on the sea-shore, which he had translated into the visual sign of his interior cognition of a mermaid, Scythrop, retiring to his tower, found his study preoccupied. A stranger, muffled in a cloak, was sitting at his table. Scythrop paused in surprise.

The little piece told a thrilling story with entire clearness and coherence, and exhibited three characters fully and distinctly drawn; and it secured this achievement by visual means alone, with no recourse whatever to the spoken word.

I have spoken just above of the shape of the touch object for which our visual experiences stand as signs. What do we mean by its shape? To the plain man real things are the touch things of which he has experience, and these touch things are very clearly distinguishable from one another in shape, in size, in position, nor are the different parts| of the things to be confounded with each other.

Sturdy were the blows, and steady the succession in which they followed: some even fancied they could hear that sort of groaning respiration which is made by men who use an axe, or by those who in towns ply the "three-man beetle" of Falstaff, as paviers; echoes they certainly heard of every blow, from the profound woods and the sylvan precipices on the margin of the shores; which, however, should rather indicate that the sounds were not supernatural, since, if a visual object, falling under hyper-physical or cata-physical laws, loses its shadow, by parity of argument, an audible object, in the same circumstances, should lose its echo.

In his Inquiry, at the beginning of his review of visual perceptions, Reid says: 'The structure of the eye, and of all its appurtenances, the admirable contrivances of nature for performing all its various external and internal motions and the variety in the eyes of different animals, suited to their several natures and ways of life, clearly demonstrate this organ to be a masterpiece of nature's work.

The two words meant the same thing with her; and the more shadowy and unintelligible people made the causa causarum the more she believed in their knowledge and their piety. The bitterest quarrel she had ever had was with an old friend, an unimaginative anatomist, who one day gravely proved to her that spirits must be mere filmy bags, pear-shaped, if indeed they had any visual existence at all.

The large amount of new visual knowledge that the naturalistic movements of the nineteenth century brought to light is particularly liable at this time to obscure the simpler and more primitive qualities on which all good art is built. At the height of that movement line drawing went out of fashion, and charcoal, and an awful thing called a stump, took the place of the point in the schools.

It will be used on radio systems, submarine cables using siphon recorders, and with the heliograph, flash-lantern, and all visual signaling apparatus using the wigwag. For the flag used with the General Service Code there are three motions and one position. The position is with the flag held vertically, the signalman facing directly toward the station with which it is desired to communicate.

Although our examples have been drawn mostly from the field of music, the preceding principles apply to all kinds of rhythm, tactual and visual as well as auditory. It is time to show why the rhythm out of all comparison the strongest, most compelling, most full of emotional quality, is the rhythm of music.

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