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Some of the amusements in Tengu-land are very curious. A pair of young tengus will fence with their noses as if they were foils. Their faces are well protected by masks, for if one tengu should "poke his nose" into the other's eye he might put it out, and a blind tengu could not walk about, because he would be knocking his nose against everything.
In his right fist is his master's book of wisdom, and roll of authority. Even these two highest in authority in Tengu-land are servants of the great lord Kampira, the long-haired patron of sailors and mountaineers. The greatest of the Dai Tengu lived in Kurama mountain and taught Yoshitsuné.
Then the tengus pull out his tongue by the roots, and run away with it. When a tengu walks, he folds his arms, throws back his head till his nose is far up in the air, and struts around as if he were a daimio. When a man becomes vain and carries his nose too high, the people say "He has become a tengu."
It is the one sublime spectacle of this charming land; but it is visible only when the air is very pure. Many are the marvellous legends related concerning it, and somewhere upon its mysterious summit the Tengu are believed to dwell. Here are kept many bronze drags; and whenever anyone has been drowned and the body not recovered, these are borrowed from the little temple and the river is dragged.
I Nevertheless, from his students he experienced only courtesy: they treated him by that Chinese code which ordains that "even the shadow of a teacher must not be trodden on." In any event it would have mattered little to samurai students whether their teacher were perfectly human or not, so long as he could teach. The hero Yoshitsune had been taught the art of the sword by a Tengu.
Shelved against the naked brickwork above, I could perceive multitudes of lesser shapes: demon figures with eyes that burned through the dark like the eyes of a black cat, and figures half man, half bird, winged and beaked like eagles, the Tengu of Japanese fancy. "Well?" queried the curio dealer, with a chuckle of satisfaction at my evident surprise. "It is a very great collection," I responded.
In Japan, the kappa, half monkey half tortoise, which seizes children bathing in the rivers, as real to millions of the native common folk as is the shark or porpoise; the flying-weasel, that moves in the whirlwind with sickle-like blades on his claws, which cut the face of the unfortunate; the wind-god or imp that lets loose the gale or storm; the thunder-imp or hairy, cat-like creature that on the cloud-edges beats his drums in crash, roll, or rattle; the earthquake-fish or subterranean bull-head or cat-fish that wriggles and writhes, causing the earth to shiver, shudder and open; the ja or dragon centipede; the tengu or long-nosed and winged mountain sprite, which acts as the messenger of the gods, pulling out the tongues of fibbing, lying children; besides the colossal spiders and mythical creatures of the old story-books; the foxes, badgers, cats and other creatures which transform themselves and "possess" human beings, still influence the popular mind.
Speaking a few words of incantation, he put on the wings of a Tengu, mounted a white cloud and rode on the east wind to India, bought the elixir of the mountain spirits, and returned to Japan in one day and a night. On the first touch of the elixir on the sick man's face he drew a deep breath, perspiration glistened on his forehead, and in a few moments more he sat up.
Hideous idols, painted and unpainted, big and little, often decorated with soiled bibs; decaying to-rii; ruined sub-shrines; conglomerate piles of cast-off paraphernalia, consisting of broken idols, old lanterns, stones, etc., filthy towels at the holy-water basins, piously offered to the gods and piously used by hundreds of dusty pilgrims; equally filthy bell-ropes hung in front of the main shrines, pulled by ten thousand hands to call the attention of the deity; travel-stained hands, each of which has left its mark on the once beautiful enormous tasselated cord; ex-voto tufts of human hair; scores of pictures, where the few may be counted works of art while the rest are hideous beyond belief; frightful faces of tengu, with their long noses and menacing teeth, decorated with scores of spit-balls or even with mud-balls; these are some of the more conspicuous unæsthetic features of multitudes of popular shrines and temples.
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