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Is there possibly any connection between my award of the Nobel Prize, and your suddenly acute powers of appreciation? I am still the same poet who displeased you when I first offered my humble flowers at the shrine of Bengal. "The newspapers published an account of the bold chastisement given by Tagore. I admired the outspoken words of a man unhypnotized by flattery," I went on.

Kashi's soul remembered all the characteristics of Kashi, the boy, and therefore mimicked his hoarse voice in order to stir my recognition. "Rabindranath Tagore taught us to sing, as a natural form of self-expression, like the birds." Bhola Nath, a bright fourteen-year-old lad at my Ranchi school, gave me this explanation after I had complimented him one morning on his melodious outbursts.

"I was introduced to Rabindranath in Calcutta by his secretary, Mr. "Rabindranath received me graciously. He emanated a soothing aura of charm, culture, and courtliness. Replying to my question about his literary background, Tagore told me that one ancient source of his inspiration, besides our religious epics, had been the classical poet, Bidyapati."

It is also just to point out that from the Upanishads down to the writings of Rabindranath Tagore in the present day Indian literature from time to time enunciates the idea that the whole universe is the manifestation of some exuberant force giving expression to itself in joyous movement.

But though these prose translations from Rabindranath Tagore have stirred my blood as nothing has for years, I shall not know anything of his life, and of the movements of thought that have made them possible, if some Indian traveller will not tell me. It seemed to him natural that I should be moved, for he said, 'I read Rabindranath every day, to read one line of his is to forget all the troubles of the world. I said, 'An Englishman living in London in the reign of Richard the Second had he been shown translations from Petrarch or from Dante, would have found no books to answer his questions, but would have questioned some Florentine banker or Lombard merchant as I question you.

But current Christianity, modern developments of Islam, much Indian theological thought that, for instance, which has found such delicate and attractive expression in the devotional poetry of Rabindranath Tagore has long since abandoned this anthropomorphic insistence upon a body.

Thus the French contemplative Lucie-Christine says, that when the voice of God called her it was at one and the same time a Light, a Drawing, and a Power, and her Indian contemporary the Maharishi Devendranath Tagore, that "Seekers after God must realize Brahma in these three places. They must see Him within, see Him without, and see Him in that abode of Brahma where He exists in Himself."

When men so diverse as Tagore the Indian sage and Rathenau the German Trust magnate tell us that the disease from which we are suffering is 'mechanization', and that our crying need is for greater simplicity, it seems safe to predict that Plato would not reject the possibility of providing a 'good life' for the modern man in a world divested of most of the rattling and tinkling paraphernalia of which the nineteenth century so plumed itself as the inventor.

If she had attended as often as Madeline did she might have guessed and saved herself much. But she was busy organizing, in connection with Mrs. Seabury Calvin, a Literary Society among the summer people of South Harniss. The Society was to begin work with the discussion of the poetry of Rabindranath Tagore. Mrs. Fosdick said she doted on Tagore; Mrs.

Among the ballads thus intoned, the romance of Krishna is among the most common and the style of painting with its crude exuberance suggests the strength of popular devotion. There remains one last form of painting. During the twentieth century, the modern movement in Indian art has produced at least four major artists Rabindranath Tagore, Amrita Sher-Gil, Jamini Roy and George Keyt.