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Updated: May 31, 2025
And no wonder: he had seen so much and done so much as compared to them, and he told about it all so easily and naturally, and yet as I never heard any one else do; and his ready pencil was out in an instant to draw on scraps of paper all sorts of illustrations modes of drawing up water in Northern Italy, wine-carts, buffaloes, stone-pines, I know not what.
The two stone-pines in the miller's grounds were likened by them to Adam and Eve turning away from the blaze of Paradise; and the saying of one receptive child, that they had nothing but hair on, made the illustration undying both to Dahlia and Rhoda.
The grounds are gay with starry anemones, and billowy acacias crested with odorous wreaths of yellow foam, dark and mysterious with tall ilexes, cypresses, and stone-pines, enlivened by graceful palms and tender deciduous trees, musical with falling and glancing waters, and haunted by the statues of Greek divinities that filled men's minds with immortal thoughts in the youth of the world dimly visible amid the recesses of the foliage.
His art was feverishly decadent, and those who judge a man by his work might suppose him to be a monster of iniquity. He was, in fact, an extremely clever and rather worldly-wise boy who loved violets and stone-pines and moonlight with poetical fervour, who preferred milk to champagne, and saunterings in green fields to gambling on green cloth.
The machicolated towers of Castel Fusano among its grand stone-pines stand up from the marshes, and farther seaward another castle with a single pine; but they only enhance the surrounding loneliness. Ostia, the ancient port, which sea and river have both deserted, is now a city of the dead, a Pompeii above ground, whose avenues of tombs lead to streets of human dwellings more desolate still.
On the way to the ridges they passed clean pasture fields, bowlders, gray rocks, aged cedars with flat tops like the stone-pines of Italy. It was all wild but exquisite, a refined wildness recalling the pictures of Rousseau. Irene and Mr.
Sir David Wilkie, the distinguished painter, died at sea on his way home from the Orient, June 1, 1841. His body was consigned to the sea at midnight of that day. The stone-pines of Italy are seen through the distortion of convention, the palaces of Venice were never builded by the hand of man; and we lose by this the contrast which nature provides between solid earth and filmy cloud.
For nothing can exceed the loveliness of the views from the windows of the Papal gardens outside, with their gay flowery parterres, sparkling fountains, depths of shadowy glades and half-hidden sculptured forms of rarest beauty; and, beyond, a purple mountain range, summits old in story, closing up the enchanted vista through the ruddy stems and deep green foliage of tall stone-pines; the whole glowing in the brilliant sunshine and the exquisite violet transparency of the Roman sky.
We left our carriage just within the entrance, and rambled among these beautiful groves, admiring the live-oak trees, and the stone-pines, which latter are truly a majestic tree, with tall columnar stems, supporting a cloud-like density of boughs far aloft, and not a straggling branch between there and the ground.
Peter's, the Vatican, the Castle of St. Angelo, the Tiber with its great bends and many bridges, and to lonely, far-away Soracte; westward, on the other side of the river, rose the Janiculum with its close-wedged houses, grade on grade, and on its summit the church of San Pietro in Montorio and the flashing cataract of the Acqua Paola fountain, the stone-pines of the Villa Dolia cresting the ridge above; eastward, the Palatine, a world of ruins in a world of gardens, lay between us and the Coliseum, and over them and the wall, the aqueducts, the plain, the eye ranged to the snow-capped Sabine Hills, on whose many-colored declivities tiny white towns were dotted like browsing sheep; southward, we gazed down upon the Pyramid of Cestius, upon the beautiful Protestant cemetery with its white monuments and dark cypresses where lie Shelley and Keats, upon the stately Porta San Paolo, a great mediæval gateway flanked with towers, and beyond, the Campagna, purple, violet, ultramarine, oceanic, rolling out toward the Alban Hills, which glittered with snow, rising sharply like island-peaks and sloping down like promontories into the plain; and over all the sun and sky and shadows of Italy.
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