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Updated: May 3, 2025


'The ceiling of the Sistine Chapel contains the most perfect works done by Michael Angelo in his long and active life. Here his great spirit appears in noblest dignity, in its highest purity; here the attention is not disturbed by that arbitrary display to which his great power not unfrequently seduced him in other works.

So I had a chance to hear it in Vienna, where, however, it was but ill received, some of the audience even being moved to laughter." "For what reason, pray?" "Oh, not from any frivolity or irreverence, but because the music, which sounds so grandly impressive here in the Sistine Chapel, strikes one as a mere confusion of discordant notes amid other surroundings."

Michael Angelo must have spent his spare time in studying the bas-reliefs by Jacopo della Quercia upon the façade of San Petronio, for he used many of the motives in his next great work, the Sistine vault. When the wax model of the statue of Pope Julius was ready, Michael Angelo sent to Florence for the ordnance founder to the Republic, Maestro dal Ponte, of Milan, to cast it for him.

When Michael Angelo had to paint the ceiling of the Sistine Chapel the Pope ordered Bramante to erect the scaffolding. For all the architect he was he did not know how to do it, but pierced the vault in many places, letting down certain ropes through these holes to sling the platform. When Michael Angelo saw it he smiled, and asked Bramante what was to be done when he came to those holes?

Michael Angelo, like all young artists who have had the opportunity, drew and studied in the Brancacci Chapel of the Church of the Carmine, containing the frescoes of Masaccio and his followers; the result of these studies may be seen in some of the compositions, and especially in the draperies of the Sistine ceiling.

Raphael painted two hundred and eighty-seven pictures in his thirty-seven years of life. It is said that the "Sistine Madonna," while painted from an Italian model doubtless the lady whom Raphael so dearly loved has universal characteristics, so that she may "be understood by everyone." He lived only three years after painting this picture and it was the last "Holy Family" painted by him.

The sermon preached by Pius IX in the Sistine Chapel on April 29, in which the Holy Father encouraged the new sovereigns to accomplish the designs of Providence in a mission which was but a part of a "grand scheme of Christian propagandism," linked the empire to the clerical party.

All the world crowds here to see its exhibitions and theatrical shows, and works hard to catch a glimpse of them, and is tired out, if not disgusted, at the end. The things to see and hear are Palm Sunday in St. Peter's; singing of the Miserere by the pope's choir on Wednesday, Thursday, and Friday in the Sistine Chapel; washing of the pilgrims' feet in a chapel of St.

The Harrises visited the most celebrated portions of the Vatican; the Scala Regia, covered with frescoes of events in Papal history, the Sistine Chapel, adorned with fine frescoes by Michael Angelo, including the Last Judgment. Here the Cardinals meet to elect the Pope, and here many of the most gorgeous ceremonies of the Roman Catholic Church are performed.

For myself, I could more easily paint the Sistine Madonna or compose a Tenth Symphony than be content to loose myself into this universe of numbers. Pythagoras, I believe, discovered a sort of philosophy in numbers, but even he did not count beyond seven. After the fishes, the reptiles seem fairly modest creatures.

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