It was a friendless lad whom you took in and gave shelter to, Captain Dave, and it mattered not whether he was plain Cyril or Sir Cyril. I had certainly no thought of taking my title again until I entered a foreign army, and indeed it would have been a disservice to me here in London. I should have cut but a poor figure asking for work and calling myself Sir Cyril Shenstone.

Thomas Warton published in 1753 his Observations on the Faerie Queene. Beattie's Minstrel, Thomson's Castle of Indolence, and William Shenstone's Schoolmistress were all written in the Spenserian stanza. Shenstone gave a partly humorous effect to his poem by imitating Spenser's archaisms, and Thomson reproduced in many passages the copious harmony and luxuriant imagery of the Faerie Queene.

She wanted only food and sleep deep sleep renewing her tired muscles, till the delicious early morning came round again, and she was once more in the fields directing her team of workers. "Why, there's the vicar!" said Janet Leighton, perceiving the tall and willowy figure of Mr. Shenstone, as its owner stopped to speak to one of the boys with the guns who were watching the game.

Himself at the confluence of the two streams, the national and the local, he pays his tribute to two sets of originals, talks with equal reverence of names known to us like Pope and Gray and Shenstone and names unknown which belonged to local "bards," as he would have called them, who wrote their poems for an Ayrshire public.

She talked with Shenstone again after dinner and was pleased that he was to be in the same box with her at the opera the next night. He had spent much of his time on the other side of the Atlantic. He was unusually well educated for an artist's, and his mind was not developed in one direction only. Like Marian, his point of view was artistic and emotional.

Garth sat forward, his hands clutching the arms of his chair. That quiet, level voice was awakening doubts as to his view of the situation, the first he had had since the moment of turning and walking down the Shenstone village church three years ago. His face was livid, and as the firelight played upon it the doctor saw beads of perspiration gleam on his forehead.

For the rest of the winter Shenstone was constantly in Marian's company; so constantly that they were gossiped about, and all the women who were unpleasantly discussed "for cause" conspired to throw them together as much as possible. One evening in the very end of the winter, Howard called to Marian from his dressing room: "Why, lady, Shenstone's gone, hasn't he? I've just read a note from him."

If you are indeed willing so to risk your life, I will speak to him. But I know not your name?" "My name is Cyril Shenstone." The clergyman looked at him suddenly, and would have spoken, but the doctor was now close to them. "Ah! Mr. Wallace," he said, "I am glad to see you, and to know that, so far, you have not taken the disease, although constantly going into the worst neighbourhoods."

I cannot imagine why Dal did not rave. But perhaps it is a good sign that he should take things more quietly. I suppose he is making up his mind." "No," said Jane. "I believe he did that at Overdene. But it means a lot to him. He takes marriage very seriously. Whom have you at Shenstone?" Lady Ingleby told off a list of names. Jane knew them all. "Delightful!" she said.

The philosopher highly approves of Addison's definition of fine writing, who says, that it consists of sentiments which are natural, without being obvious. This is a definition of thought rather than of composition. Shenstone has hit the truth; for fine writing he defines to be generally the effect of spontaneous thoughts and a laboured style.