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Updated: May 29, 2025


I must not omit to tell that it has come to my ears that while Antonio Mini, a disciple of Buonarroti, was living in France, when he was entertained and treated with much lovingness in Paris by Giovan Francesco, there came into the hands of Rustici some cartoons, designs, and models by the hand of Michelagnolo; a part of which the sculptor Benvenuto Cellini received when he was in France, and he brought them to Florence.

For that evening the contribution of Rustici was a cauldron in the form of a pie, in which was Ulysses dipping his father in order to make him young again; which two figures were boiled capons that had the form of men, so well were the limbs arranged, and all with various things good to eat. Andrea del Sarto presented an octagonal temple, similar to that of S. Giovanni, but raised upon columns.

And yet, notwithstanding such labours, expenses, and pains, he was poorly remunerated for it by the Consuls and by his fellow-citizens, for the reason that one of the Ridolfi, the head of that Guild, out of some private spite, and perchance also because Rustici had not paid him enough honour or allowed him to see the figures at his convenience, was always opposed to him in everything.

At another repast, which was arranged by the same Bugiardini and by Giovan Francesco Rustici, the men of the Company appeared, as the master had commanded, all in the dress of masons and their labourers; that is, those who were "going for the Great" had the trowel with the cutting edge and hammer in their girdles, and those "going for the Less" were dressed as labourers with the hod, the levers for moving weights, and in their girdles the ordinary trowel.

After these things Baccio returned to Florence, where he found that Giovan Francesco Rustici, his first master, was painting a scene of the Conversion of S. Paul; for which reason he undertook to make in a cartoon, in competition with his master, a nude figure of a young S. John in the desert, who is holding a lamb with the left arm and raising the right to Heaven.

Whereupon Rustici, being pleased by the beautiful manner and ways of Leonardo, and considering that the expressions of his heads and the movements of his figures were more graceful and more spirited than those of any other works that he had ever seen, attached himself to him, after he had learned to cast in bronze, to draw in perspective, and to work in marble, and after Andrea had gone to work in Venice.

Rustici thus living with Leonardo and serving him with the most loving submission, Leonardo conceived such an affection for him, recognizing him to be a young man of good, true, and liberal mind, patient and diligent in the labours of art, that he did nothing, either great or small, save what was pleasing to Giovan Francesco, who, besides being of a noble family, had the means to live honourably, and therefore practised art more for his own delight and from desire of glory than for gain.

Teresa Seneke obtained a Roman hearing for her opera, "Le Due Amichi," and published also a quantity of songs and piano music. Adolfa Galloni composed the opera, "Le Quattra Rustici," besides instrumental and vocal music. Signora Casella was another operatic composer, her "Cristoforo Colombo" having been produced at Nice in 1865.

In the hands of that figure Rustici placed an instrument that is made to revolve by the water that it pours down from above, in the following manner: one leg being perforated, a pipe passes through it and through the torso, and the water, having risen to the mouth of the figure, falls upon that instrument, which is balanced with four thin plates fixed after the manner of a butterfly, and causes it to revolve.

He had a dispensation from attending any of the offices in the choir with the other friars, and the gains from his works went to the convent, enough money being left in his hands to pay for colours and other materials necessary for his painting. He left disciples in Cecchino del Frate, Benedetto Cianfanini, Gabriele Rustici, and Fra Paolo Pistoiese, the latter inheriting all his possessions.

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