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Updated: June 24, 2025


I meant that he was like a great actor of passion character-acting meant nothing to me for many years and an actor of passion will display some one quality of soul, personified again and again, just as a great poetical painter, Titian, Botticelli, Rossetti may depend for his greatness upon a type of beauty which presently we call by his name.

But boys never hear of Byron, Swinburne and Rossetti, men with big flaming hearts that cried for physical beauty and the loveliness of tangible things. As a result they drift out into the world, to take their place with the dull, commonplace Philistine who has made the House of Commons what it is.

The Arthurian story which produced only middling moralizing in the Idylls, gave us as well the supremely written Homeric episode of the Morte d'Arthur, and the sharp and defined beauty of Sir Galahad and the Lady of Shallott. Tennyson had a touch of the pre-Raphaelite faculty of minute painting in words, and the writing of these poems is as clear and naïve as in the best things of Rossetti.

Not only can all the members of the school compose a thousand times better than the men who pretend to look down upon them, but I question whether even the greatest men of old times possessed more exhaustless invention than either Millais or Rossetti; and it is partly the very ease with which they invent which leads them to despise invention.

Allan began to whistle "Here Comes the Bride" softly and profanely under his breath, as Joy and John Hewitt neared them, but Phyllis managed to stop him before he was audible. "She is a darling, isn't she?" Phyllis whispered, as she stood on the steps with one hand on Allan's arm. "Look at her, Allan she looks like a strong little Rossetti angel! Oh, I'm so glad it's happened!"

Those who are susceptible to this effect of poetry find it not only, perhaps not most, in the ideals which she has sometimes described, but in a child's song by Christina Rossetti about a mere crown of wind-flowers, and in tragedies like Lear, where the sun seems to have set for ever.

Every evening he used to take walks on the beach for miles and miles, delighted with a beauty that before had had no charms for him. Still, the ‘Astarte Syriaca’ did progress, though slowly, and became the masterpiece that Mr. W. M. Rossetti sets so high among his brother’s work.

He would never exactly reply to Philip's eager questioning, but with a merry, rather stupid laugh, hinted at a romantic amour; he quoted a few lines of Rossetti, and once showed Philip a sonnet in which passion and purple, pessimism and pathos, were packed together on the subject of a young lady called Trude.

Of course the poet may choose it, with open eyes, as the Marlowe of Miss Peabody's imagination does, or as the minstrel in Hewlitt's Cormac, Son of Ogmond. The long engagements of Rossetti and Tennyson are often quoted as exemplifying this idiosyncrasy of poets. Browning, Sonnet VII.

His lecture on Rossetti won him the friendship of this great man, a correspondence ensued, and when Caine was twenty-five years old, Rossetti wrote and asked him to come up to London to see him. Caine went and was received most cordially. "He met me on the threshold of his house," he relates, "with both hands outstretched, and drew me into his studio. That night he read me 'The King's Tragedy."

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