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Updated: June 17, 2025
"The fifth structure, finally, built in the reign of Philippe Auguste, when Régnault de Mouçon was Bishop of Chartres, is that we still see; it was consecrated on the 17th of October, 1260, in the presence of Saint Louis. This again has passed through the fire.
Had Regnault lived, he would have more adequately or should I say more plausibly? marked the transition from romanticism to realism. Temperamentally he was clearly a thorough romanticist far more so, for instance, than his friend Fortuny, whose intellectual reserve is always conspicuous. He essayed the most vehement kind of subjects, even in the classical field, where he treated them with truly romantic truculence. He was himself always, moreover, and ideally cared as little for nature as a fairy-story teller. In this sense he was more romantic than the romanticists. His "Automedon," his portrait of General Prim, even his "Salome," are wilful in a degree that is either superb or superficial, as one looks at them; but at any rate they are romantic
Jules Sandeau was dramatic critic; Emile Regnault supplied the light literature; Gustave Planche was art critic; Alphonse Karr wrote satirical articles; Theophile Gautier, Charles de Bernard, and Raymond Brucker contributed fiction; and Balzac, together with his functions of chief editor, gave the leading article.
No; but in a splendid wreck of wrath and jealousy and hatred. We did not run aground tamely; we split in vehemence on the very rock of discord. She would not come for a letter." "Is she in Paris?" asked O'Neill. "No, in Spain," answered Regnault. "At Ronda, in a great house on the edge of the hill, a house of small windows and strong doors. She is religious, Lola is; she fears hell.
On gaining a fellowship at his college, he spent some time in the laboratory of the celebrated Regnault, at Paris; but in 1846 he was appointed to the chair of natural philosophy in the University of Glasgow.
This remarkable monument is of the early sixteenth century and, according to the report of the Commission des Monuments Historiques, is the work of Guillaume Regnault, a statement which is much more likely to be correct than the usual guide-book information, which in some instances credits it to Goujon, and in others to a local apprentice of his, named Juste.
M. Marin points out that, in the first place, Flavy's character was a notoriously bad one; secondly, that he was very possibly under the influence of both La Tremoïlle and the Chancellor Regnault de Chartres, bitter opponents, as we have already shown, of the Maid; thirdly, that it was in Flavy's interest that the prestige of saving Compiègne from the Burgundians and English should be entirely owing to his own conduct; and fourthly, that he, Flavy, with the majority of the French officers, was affected against Joan of Arc since the execution of Franquet d'Arras.
But after a bit she looked up with a seriousness, nay, a bitterness, in her siren's face, which astonished him. 'It is not amusing to take you in you are too ignorant. What do you suppose Henri Regnault matters to me? His world is as far above mine as Velazquez' art is above my art. But how can a foreigner understand our shades and grades?
God knows how much such a resolution has cost my heart; but there is no sacrifice which is beyond my courage, if proved to be useful to the well- being of France." The Empress Josephine wished to speak, but her voice was choked by her tears; she handed to Count Regnault the paper evidencing her assent to the emperor's wishes.
Philippe Dubois preferred his own master Regnault to David, and founded his hopes for the future of painting on that rising artist Gérard. Meantime Élodie complimented the citoyenne Thévenin on her red velvet toque and white gown.
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