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Updated: June 26, 2025


Célanie Carissan has produced the operetta, "La Jeunesse d'Haydn," and the oratorio, "Rebecca," besides other choral works and many songs and piano pieces. The roll of operatic composers in France is long and honourable. Just as England seems the home of cantatas, and Germany of orchestral work, so France is especially devoted to opera, and her women have held their own well in this field.

'I've thought of that, replied Dick; 'Williams is our man, he'll see to all that; and I don't know if you know, but he can sing a good song on his own account. 'Can he? Well, then, we can't have anyone better and what shall we take out? 'Well, we must have a little operetta, and I don't think we can do better than Offenbach's Breaking the Spell.

I must say I pitied her toes if she walked there often on as cold a day as to-day; I know mine ached as we paced to and fro while the Marquis explained the operetta. It was really too cold to stay out-of-doors, and we turned back to the little salon, called the Salon Japonais, to finish the seance there. "What part am I to take?" asked Prince Metternich.

The best of them had had to play in their day in tragedy, in operetta, in Parisian farces, and in extravaganzas, and they always seemed equally sure that they were on the right path and that they were of use. So, as you see, the cause of the evil must be sought, not in the actors, but, more deeply, in the art itself and in the attitude of the whole of society to it."

He, who used to go everywhere and be so jolly, now hides himself in his den, and is never seen at all. Just see how disagreeable it is! If he had come with us, he would have written an account in 'L'Actualite' of Little Moo-Moo, and Yamada's operetta would already be celebrated." "So," continued the Baroness, "when I return to Paris, I am going to hunt him up.

He, who used to go everywhere and be so jolly, now hides himself in his den, and is never seen at all. Just see how disagreeable it is! If he had come with us, he would have written an account in 'L'Actualite' of Little Moo-Moo, and Yamada's operetta would already be celebrated." "So," continued the Baroness, "when I return to Paris, I am going to hunt him up.

While they were in the Sanitarium, the former Minstrel King and young Abie Fixit from the Music Foundry cut out the last vestiges of the Original Stuff and put in two Turns that had landed strong over the whole Orpheum Circuit. The romantic Operetta now became known as Another One of Those Things. It was eagerly discussed by Club Women and College Students.

"So did I." "Oh, you did, huh?" "Certainly. It is patent that my ears are as good as yours." "Huh! See her?" "For a moment," Hillard admitted. "Well, we can't have none o' this in the streets. It's disorderly." "My friend," said Hillard, rather annoyed at the policeman's tone, "you don't think for an instant that I was directing this operetta?" "Think? Where's your hat?"

As a producing organization it made its bow in December, 1919, when, with the co-operation of the Michigan Union, it produced a most finished performance of Reginald DeKoven's operetta, Red Feather. The first mention of any musical organization in the University occurs in some reminiscences of the class of 1846.

I began to scribble furtively on the back of an old manuscript the book of an operetta I had once written, a musical version of Les Miserables called "Jumping Jean," in reference to which one of the New York producers, Dillingham, I think, wrote me: "You have out-Hugo-ed Hugo; this is more miserable than Les Miserables itself!"

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