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Updated: May 6, 2025
As always, her clothes seemed part of her, without ends or beginnings, flowing from her, a streaming enhancing accompaniment. He asked her if her dress were nymphe émue or feuille morte. He was proud of knowing those two names. She said it was neither. He begged her to tell him, but she refused rather abruptly to discuss it. He said he loved her clothes that he would like to know....
She could not have gone that way, unless he thought of the fattura della morte, and for a moment the superstitious horror returned upon him. But he banished it. That could not be.
There were innumerable Arthur romances in prose and verse, in Anglo-Norman and continental French dialects, in English, in German, and in other tongues. But the final form which the saga took in mediæval England was the prose Morte Dartur of Sir Thomas Malory, composed at the close of the 15th century. This was a digest of the earlier romances, and is Tennyson's main authority.
With Geoffrey and his alleged manuscript to rest upon, the Norman- French writers were free to use the fascinating stories which had been-for centuries in the possession of their wandering minstrels. From about 1200 onward Arthur and Guinevere and the matchless band of Celtic heroes that we meet later in Malory's Morte d' Arthur became the permanent possession of our literature.
Postquam felicitate SIBI PROPRIA Sese posteris commendaverat, Morte acerba raptus Anno oetatis 51 Eheul quam procul a patria! Prope Liburni portum in Italia, Jacet sepultus.
He saw among the scars and among the nails Hermione and himself! They were in Paris, at a table strewn with flowers. That was the first scene in the magic mirror of the fattura della morte, the scene in which they met for the first time. Hermione regarded him almost with timidity. And he looked at her doubtfully, because she had no beauty.
Upon the whole the productions of Caxton's press were mostly of a kind that may be described as mediæval, and the most important of them, if we except his edition of Chaucer, was that "noble and joyous book," as Caxton called it, Le Morte Dartur, written by Sir Thomas Malory in 1469, and printed by Caxton in 1485.
Nec quidem equum suum illorum timore incitauit, celerius aliquando ponere vestigia. Sed congregando omnia agmina sua, et de morte eripiendo ea, collocauit circa se: et sic primes attigit, et ordinatim proficiscens ad exercitus suos accessit.
And as the French book saith, he did that twelvemonth more than forty battles. And because I have lost the very matter of Le Chevaier du Chariot, I depart from the tale of Sir Launcelot, and here I go unto the morte of King Arthur; and that caused Sir Agravaine. Explicit liber xix. And hereafter followeth the most piteous history of the morte of King Arthur, the which is the twentieth book.
The most important prose works are Sir Thomas Malory's Morte d'Arthur, a masterly retelling of the Arthurian legends; Sir Thomas More's Utopia, a magnificent Renaissance dream of a new social world; and Tyndale's translation of the Bible.
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