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Updated: May 24, 2025


But the operas of Quinault are, in their easy progress, truly fanciful; and the serious opera cannot, in my opinion, be stripped of the charm of the marvellous without becoming at length wearisome. So far Quinault appears to me to have taken a much better road towards the true vocation of particular departments of art, than that on which Metastasio travelled long after him.

I was still more surprised, and took the liberty of asking her name, and found her to be the famous "Shepherdess," Maria Fortuna, of the Academy of Arcadians. I had read the beautiful stanzas she had written in praise of Metastasio. I told her so, and she brought me the poet's reply in manuscript. Full of admiration, I addressed myself to her alone, and all her plainness vanished.

She is tried before the Revolutionary Tribunal. She is condemned. Her last Letter to the Princess Elizabeth. Her Death and Character. Importance of Marie Antoinette in the Revolution. Value of her Correspondence as a Means of estimating her Character. Her Birth, November 2d, 1755. Epigram of Metastasio. Habits of the Imperial Family. Schönbrunn. Death of the Emperor.

This occupation becoming injurious to the youth, Gravina forbade him to compose extempore verses any more, and this rule, imposed on him at sixteen, he never afterwards infringed. When Metastasio was in his twentieth year Gravina died, leaving to him his fortune, most of which he squandered in two years.

He affected eccentricity to make himself notorious, and opposed the great Metastasio in everything, writing unwieldy verses which he said gave more scope for the person who set them to music. He had got this extravagant notion from Jumelli.

Her coldness towards literary men may in, some degree be accounted for by the disgust which she took at the calumnies and caricatures resulting from her mother's partiality for her own revered teacher, the great Metastasio.

The two advanced arm in arm toward the railing, and, at their appearance, a storm of applause arose from the parterre, while the partisans of the Italian school cried; "Long live Hasse! Long live Metastasio!" They bowed and took their seats. While this was transpiring, the wife of Gluck entered her box. With a quiet smile she listened to the shouts that greeted her husband's rivals.

The metre therefore of Metastasio, and before him, of Tasso and Guarini, in their pastoral dramas, seems to me much more agreeable and suitable than the monotonous verse of eleven syllables: they intermingle with it verses of seven syllables, and occasionally, after a number of blank lines, introduce a pair of rhymes, and even insert a rhyme in the middle of a verse.

To roam through the romantic vales of Italy surrounded at all turns by the sad memorials of its former magnificence the mighty ruins of its temples and palaces, and the mutilated remains of its statues and triumphal columns, conveying to the mind mournful images of the fallen fates of those who had for ages been its proud possessors; where the Mantuan bard first caught inspiration from the deathless muse; where Tully charmed the listening throng, whilst defending with mild persuasion the arts and the sciences he loved, and condemning in terrible denunciations the mad ambition that threatened the destruction of his country; to wander among its groves, and say, here Ovid, in lonely exile, soothed his sorrows with the melody of his heaven-inspired strain; here Petrarch wooed his much-loved Laura in sonnets soft as the affection that gave them birth; here Tasso made history and Jerusalem immortal by crowning them with the garlands of his Promethean genius; and here Ariosto, Dante, Metastasio, and a galaxy of poets and philosophers shed the splendour of their gifted imaginations on the expiring greatness of their country.

Metastasio is musical throughout; but, to follow up the simile, we may observe, that of poetical music, melody is the only part that he possesses, being deficient in harmonious compass, and in the mysterious effects of counterpoint. Or, to express myself in different terms, he is musical, but in no respect picturesque.

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