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In all her former love-affairs, she had been noted for the high tone which she adopted towards her admirers, and for the despotic authority which she exercised over them even in her gayest moments. But the severance of her connection with Quinault Dufresne wounded her to her heart.

Duclos, the only person superior to jealousy, seemed to become more attached to me: he introduced me to Mademoiselle Quinault, in whose house I received polite attention, and civility to as great an extreme, as I had found a want of it in that of M. d'Holbach.

Mazarin had introduced into France a taste for the Italian opera; Louis was also desirous of rivalling or surpassing foreign countries in the external magnificence of the drama, in decoration, machinery, music, and dancing; these were all to be employed in the celebration of the court festivals; and accordingly Moliere was employed to write gay, and Quinault serious operas, to the music of Lulli.

Machiavel would have conceived Newton to be a dreamer among the stars, and a mere almanack-maker among men; and the other a rhymer, nauseously doucereux. Quinault might have imagined that he was seated between two madmen.

Quinault, and by some chance mistook her for Mlle. de Vertus, who was so much flattered by her innocent error that she left her forty thousand francs, when she died a few months later. Mme. d'Epinay was delighted to find herself in so brilliant a world, and was greatly fascinated by its wit, though she was not sure that those who met there did not "feel too much the obligation of having it."

Suppose NEWTON, QUINAULT, and MACHIAVEL accidentally meeting together, and unknown to each other, would they not soon have desisted from the vain attempt of communicating their ideas? The philosopher would have condemned the poet of the Graces as an intolerable trifler, and the author of "The Prince" as a dark political spy.

Lulli made such rapid progress that he soon commenced to compose music of a style superior to that before current in divertissements of the French court. The name of Philippe Quinault is closely associated with the musical career of Lulli; for to the poet the musician was indebted for his best librettos. Born at Paris in 1636, Quinault's genius for poetry displayed itself at an early age.

Quinault, the daughter of the famous actor of the time, and herself a great actress. This woman invited Mme. d'Epinay to her so-called salon, which was, possibly, the most licentious and irreligious of the salons then in vogue, where she met Duclos, with whom she immediately formed a strong friendship.

In the serious, heroic, or rather the ideal opera, if we may so express ourselves, we can only mention one poet of the age of Louis XIV., Quinault who is now little read, but yet deserving of high praise. As a tragic poet, in the early period of his career, he was satirized by Boileau; but he was afterwards highly successful in another species, the musical drama.

The philosophic La Bruyère contributed a maxim in praise of the Revocation. Quinault wrote a poem on the subject; and Madame Deshoulières felt inspired to sing "The Destruction of Heresy."