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Updated: June 2, 2025


Description of Scenes in her Musical Progresses. She makes her Début in London. Extraordinary Excitement of the English Public, such as had never before been known. Descriptions of her Singing by Contemporary Critics. Her Quality as an Actress. Jenny Lind's Personnel. Scenes and Incidents of the "Lind" Mania. Her Second London Season. Her Place and Character as a Lyric Artist. Mlle.

His first act was to send, as per agreement, the sum of $187,000 to Miss Lind's bankers in London. It was not altogether easy for him to do this. After he had scraped together all his available cash he was still short a large sum. He had plenty of securities in the form of second mortgages that were perfectly good, but no one in Wall street would lend him a dollar on them.

These are attained without an effort, and constitute another charm of the Nightingale's singing. "In pathetic music Jenny Lind's voice is heard to much advantage. Indeed, her vocal powers seem best adapted to demonstrate the more gentle and touching emotions. For this reason her solo singing is almost that alone in which she makes any extraordinary impression.

I think that, in any work or walk of life, a man can in a great degree become the master of his moods, so that, as a preacher, or a singer, or a lecturer, he can do his best every time quite as regularly as a writer can do his best every time. Mr. Benedict somewhat inelegantly remarked, when in this country, that the reason of Jenny Lind's success was, that she "made a conscience of her art."

"Think of what you are going to say, Sholto. If you speak as a gentleman, you can have only one answer. If you have any other, you will speak as a scoundrel." The last sentence came irrepressibly to Mr. Lind's lips; but the moment he had uttered it, he felt that he had been too precipitate. "Sir!" "I repeat, as a scoundrel if you deny your duty in the matter."

Manuel Garcia had formed more famous prima donnas than any other master, and it was Jenny Lind's dream by night and day to go to this magician of the schools, whose genius and knowledge had been successfully imparted to so many great singers. But to do this required no small amount of funds, and to raise a sufficient sum was a grave problem.

This tribute is as true in substance as it is striking in phrase. I have noticed the same peculiarity about Mr. Brookfield's humour as about Jenny Lind's singing. Those who had once heard it were always eager to talk about it. Ask some elderly man about the early triumphs of the Swedish Nightingale, and notice how he kindles. "Ah! Jenny Lind! Yes; there was never anything like that!"

The triumph of Jenny Lind is a legitimate part of Barnum's history, and it will be of interest to the present generation to read what the musical critics of that day thought of that wonderful singer. Here is the New York Tribune's account of her opening concerts in America: "Jenny Lind's first concert is over, and all doubts are at an end.

On the other hand, Miss Lind's book has little value as an interpretation. She does not do much to clear up the reasons which have made the writings of this mad Swede matter of interest in every civilized country in the world.

Donovan with an equal portion. She went through the dining-room and into the kitchen to find Joseph Bracken Joseph Bracken sitting at the kitchen table eating boiled eggs and drinking tea. Mary Rose was perched on a chair across from him and was telling him of Mifflin. Jenny Lind's cage was between them. "Why why," gasped Mrs. Bracken. She could not say another word.

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