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Updated: June 13, 2025


Another case of absentee neglect, made notorious through Fanny Kemble's Journal, was the group of rice and sea-island cotton plantations founded by Senator Pierce Butler on and about Butler's Island near the mouth of the Altamaha River. When his two grandsons inherited the estate, they used it as a source of revenue but not as a home.

Sales at similar prices were at about the same time reported from various other quarters. A Sequel to Mrs. Kemble's Journal . This appears to have been a reprint of an article in the New York Tribune.

To use one of Fanny Kemble's expressions, "we felt mean," and left the office of this aristocratical house-agent half ashamed of our humble fortunes. I fear I should tire the patience of the reader, did I detail all our "adventures in search of a house," but we must entreat indulgence for our last journey.

"To the fact that Buck Thornton is the man who, for six months now, has been committing the series of crimes, running the gamut from the murder of a stage driver to the theft of cattle from Kemble's place! That is the thing I am waiting for!" She frowned. A mental picture of the cowboy rose quickly and vividly before her.

one of Charles Kemble's famous songs in "Maid Marian;" a play that was all the rage then, taken from a famous story-book by one Peacock, a clerk in the India House; and a precious good place he has too.

Just then Fanny Kemble's clock in the tower above us struck the hour one, two, three. "Bless me! so late? And there's that phaeton coming back over the hill again. Hurry, Charlie! don't let them see us. They'll think that we've been here all the time." And Bessie plunged madly down the hill, and struck off into the side-path that leads into the Lebanon road.

There is a common proverb which says, that if a man be well dressed as to head and feet, he may present himself everywhere. The assertion is as false as Mr. Kemble's voice. Happy indeed if it were necessary to perfect only the extremities. The coat, the waistcoat, the gloves, and, above all, the cravat, must be alike ignorant of blemish.

Turn back sixty years, read, not Uncle Tom's Cabin if you distrust fiction, but Fanny Kemble's Life on a Georgia Plantation, or Frederick Law Olmsted's volumes of travels.

Kemble's acting seemed to him too studied and over-labored; he had the disadvantage of a voice lacking rich, base tones. Whatever he did was judiciously conceived and perfectly executed; it satisfied the head, but rarely touched the heart. Only in the part of Zanga was the young critic completely overpowered by his acting, Kemble seemed to have forgotten himself.

Then came "Hamlet," which infinitely surpassed all my expectations. Kemble's Hamlet was amazing, and Miss Smithson's Ophelia adorable. From that very night, but not before, I knew what the theatre was. I had seen for the first time real men and women, of flesh and blood, moved by real passions.

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