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Updated: May 3, 2025
Jean-Christophe's grandfather had no fear of the criticism of his youthful audience, and abandoned himself to his habitual emphatic manner; he was not afraid of repeating the same phrases, or of not finishing them, or even, if he lost himself in his discourse, of saying anything that came into his head, to stop up the gaps in his thoughts; and he used to punctuate his words, in order to give them greater force, with inappropriate gestures.
And also, a new love, of which this had been only the forerunner, took possession of Jean-Christophe's heart, and made every other light seem pale by its side.
There were none of her naughty schoolgirl's tricks, but she listened religiously to Jean-Christophe's remarks, acknowledged that they were right, gave little timid cries herself when she made a mistake and set herself to be more accurate. Jean-Christophe could not understand it. In a very short time she made astounding progress. Not only did she play better, but with musical feeling.
Far away on the plain a peasant's voice harangues his oxen; the shoes of a horse ring out on the white road. Jean-Christophe's eyes close. Near him an ant passes along a dead branch across a furrow. He loses consciousness.... Ages have passed. He wakes. The ant has not yet crossed the twig.
He opened his eyes slowly, and they seemed no longer to obey his will. He breathed noisily, and with unseeing eyes looked at the faces and the lights, and suddenly he opened his mouth. A nameless terror showed on his features. "But then ..." he gasped "but I am going to die!" The awful sound of his voice pierced Jean-Christophe's heart. Never, never was it to fade from his memory.
The largeness of Jean-Christophe's boots, the ugliness of his clothes, his ill-brushed hat, his provincial accent, his ridiculous way of bowing, the vulgarity of his loud-voicedness, nothing was forgotten which might sting Minna's vanity.
Otto aped Jean-Christophe's manners, gestures, and writing. Jean-Christophe was sometimes irritated by the shadow which repeated every word that he said and dished up his thoughts as though they were its own. But he did not see that he himself was imitating Otto, and copying his way of dressing, walking, and pronouncing certain words. They were under a fascination.
Frau von Kerich had had no difficulty in recognizing in the pianist at the concert the little savage whose shaggy head had appeared over her garden wall on the day of her arrival. She had made inquiries about him of her neighbors, and what she learned about Jean-Christophe's family and the boy's brave and difficult life had roused interest in him, and a desire to talk to him.
Diener would have had many objections to make not that any one was waiting for him, but because it was hard for him to come to any sudden decision, whatever it might be. He was methodical, and needed to be prepared beforehand. But Jean-Christophe's question was put in such a tone as allowed of no refusal. He let himself be dragged off, and they began to talk again.
Poor Louisa could conceive of nothing finer for her son than these evenings at the Palace in splendid society. As for Melchior, he used to brag of it continually to his boon-fellows. But Jean-Christophe's grandfather was happier than any.
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