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Updated: April 30, 2025
That's the thing about business it's death to sentimentality." Carnac flushed with indignation. "So you think Titian and Velasquez and Goyot and El Greco and Watteau and Van Dyck and Rembrandt and all the rest were sentimentalists, do you? The biggest men in the world worship them. You aren't just to the greatest intellects. I suppose Shakespeare was a sentimentalist!"
His human forms became more elongated as he aged; this applies only to his males; his women are of sweetness compounded and graceful in contour. Some a mere arabesque, or living flames; some sinister and fantastic; from the sublime to the silly is with Greco not a wide stride. But in all his surging, writhing sea of wraiths, saints, kings, damned souls and blest, a cerebral grip is manifest.
When we had visited this church there remained only the house of the painter known as El Greco, for whom we had formed such a distaste, because of the long features of the faces in his pictures, that our guide could hardly persuade us his house was worth seeing.
We associate them with mediocrity and insincerity; and we do not understand that for many of the better painters of the seventeenth century they were only a basis for discoveries of a different kind. Il Greco, for instance, is often as dramatically platitudinous as Guido Reni, but he also was making discoveries in design which happen to interest us now, so that we overlook his platitudes.
A few happy impromptu verses I made on the Count de Flora's fall from his horse attracted attention. The count patronizes me. I am here now to learn the fate of an ode I have just composed for his lady's birthday. My ode was to have been set to music, and to have been performed at his villa near Torre del Greco, if these troubles had not intervened.
Imagination was denied to him, asserts Beruete; he had neither the turbulent temperament of Rubens nor possessed the strained, harsh mysticism of El Greco a painter of imagination and the only painter allowed by Beruete to have affected the Velasquez palette. In a word, Velasquez was a puzzling comminglement of the classic and the realist.
If there is a Catholic Church now which asserts its own infallibility, that is only because there are churches Greco- Russian, Old Orthodox, and Lutheran each asserting its own infallibility and denying that of all other churches. So that the one Church is only a fantastic imagination which has not the least trace of reality about it.
"Yes," cried Carlo; "the inhabitants of Resina, and several who had property near Terre del Greco, and whose houses and lives were saved by your intrepidity in carrying the materials for the fireworks and the gunpowder out of this dangerous place, went in a body to the duke, and requested that he would mention your name and these facts to the king, who, amongst the grants he has made to the sufferers by the late eruption of Mount Vesuvius, has been pleased to say that he gives this house and garden to your father, because you have saved the property and lives of many of his subjects."
Sometimes the dominant colors were tawny but pert, ruddy and pale, and recalcitrant but with lament. Often her protagonists possessed the ideal curves of Raphael paintings and her antagonists had the angled linear depth of El Greco portraits or of distant cars. Her protagonists had a resistance against the social instinct; but she had succumbed to its truth like an insect to the light of a lamp.
Promise me you won't touch it now," said he, throwing down the hat at his feet, "or you hear not one word I have to say. Not one word of the heroic action performed at the villa of the Count de Flora, near Torre del Greco, this morning, by Signor Francisco." "SIGNOR Francisco!" repeated the lad with disdain. "Well, let us hear what you have to tell of him," added he.
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