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The latter case, at least, was not true with our friends in the palace. Franziska's parents and aunt soon followed the Mozarts. Franziska herself, the Baron, and Max of course, remained. Eugenie, with whom we are especially concerned, because she appreciated more deeply than the others the priceless experience she had had she, one would think, could not feel in the least unhappy or troubled.

The youth hesitated, but after some urging borrowed the duke's cane and proceeded to examine him. As his Highness did not answer well, Schiller exclaimed: 'Oh, you are an ass! Then he took Franziska's arm and began to walk away with her. Serenissimus looked on with mixed emotions, but only said: 'Come now, leave Franzele to me! The young Schiller was nothing if not intense.

The Count was loth to stop singing, and the last four lines of the impromptu terzetto suddenly became a so-called "endless canon," and Franziska's aunt had wit and confidence enough to add all sorts of ornamentation in her quavering soprano. Mozart promised afterward to write out the song at leisure, according to the rules of the art, and he did send it to the Count after he returned to Vienna.

Tita, on the contrary, maintained an impressive dignity of demeanour; and when Franziska's name happened to be mentioned she spoke of the young girl as her very particular friend, as though she would dare Charlie to attempt a flirtation with one who held that honour. But the young man was either blind or reckless, or acting a part for mere mischief. He pointed the finger of scorn at Dr. Krumm.

Even Franziska's aunt became young again as she trod the minuet with the gallant Lieutenant. Finally, as Mozart and the fair Eugenie finished the last dance, he claimed his promised privilege. It was now almost sunset, and the garden was cool and pleasant.

Among the toasts was one proposed by Franziska's aunt that Mozart should live to write many more immortal works. "Exactly! I am with you in that," cried Mozart, and they eagerly touched glasses. Then the Count began to sing with much power and certainty, thanks to his inspiration: "Here's to Mozart's latest score; May he write us many more." Max. Mozart.

His neighbor on one side was a little elderly lady, an unmarried aunt of Franziska's; on the other side was the charming young niece who soon commended herself to him by her wit and gaiety. Frau Constanze sat between the host and her friendly guide, the Lieutenant. The lower end of the table was empty. In the centre stood two large epergnes, heaped with fruits and flowers.

I say to her: "Franziska, what is the matter with your left hand?" "Leave Franziska's left hand alone," says Tita, severely. "My dear," I reply, humbly, "I am afraid Franziska has hurt her left hand." At this moment Charlie, having stuck the bottles among the reeds, comes back, and, hearing our talk, he says, in a loud and audacious way: "Oh, do you mean the ring?

He was very proud of showing off the school to visitors. His birthday and Franziska's were festal occasions, at which he would distribute the prizes in person and allow the winners, if of gentle birth, to kiss his hand; if commoners, to kiss the hem of his garment. A modern reader will be very ready with his criticism of these educational arrangements.