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No one has expressed this feeling more neatly than Fauriel: "Nul doute que l'on ne puisse dire en prose des choses eminemment poetiques, tout comme il n'est que trop certain que l'on peut en dire de fort prosaiques en vers, et meme en excellents vers, en vers elegamment tournes, et en beau langage.
M. Fauriel, after scrupulous examination, according to his custom, estimates the army of Abdel-Rhaman, whether Mussulman adventurers flocking from all parts, or Arabs of Spain, at from sixty-five to seventy thousand fighting men.
The king of the Franks treated his powerful vassal well; and Duke Lupus swore to him afresh, "or for the first time," says M. Fauriel, "submission and fidelity; but the event soon proved that it was not without umbrage or without all the feelings of a true son of Waifre that he saw the Franks and the son of Pepin so close to him." The aggressive campaign was an easy and a brilliant one.
Fauriel used to talk of the Scandinavian Teutons and the German Teutons, as if they were two divisions of the same people, and the common notion about them, no doubt, is very much this.
"I know you intimately already," said the author of the 'Genius of Christianity; "my friends Ampere and Fauriel have often spoken of you. They understand you, they love and admire you. They acknowledge your great talent, though they have long since bade their adieu to poetry; you know poets are very wayward," he added, with a sly smile.
Not only did he take immediate vengeance by hanging Duke Lupus of Aquitaine, whose treason had brought down this mishap, and by reducing his two sons, Adalric and Sancho, to a more feeble and precarious condition; but he resolved to treat Aquitaine as he had but lately treated Italy, that is to say, to make of it, according to the correct definition of M. Fauriel, "a special kingdom, an integral portion, indeed, of the Frankish empire, but with an especial destination, which was that of resisting the invasions of the Andalusian Arabs, and confining them as much as possible to the soil of the peninsula."
M. Fauriel, one of the most learned associates of the Academy of Inscriptions, has given much the same opinion, but he nevertheless adds: "Whatever may be their authorship, the fables in question are historic in the sense that they relate to real facts of which they are a poetical expression, a romantic development, conceived with the idea of popularizing the Frankish kings among the Gallo-Roman subjects."
Obviously, as M. Fauriel has pointed out in the case of the modern Greeks, the life of such folk contains no element of progress, admits no break in continuity. Conquering armies pass and leave them still reaping the harvest of field and river; religions appear, and they are baptized by thousands, but the lower beliefs and dreads that the progressive class has outgrown remain unchanged.
"They arrived under his guidance," says M. Fauriel, "they laid siege to it, took it and plundered it, not halfwise, not hastily, as folks who feared to be surprised, but leisurely, with all security, by virtue of a treaty of alliance with one of the kings of the country."
Their early forms, in the lays of troubadours, and in the pages of the oldest chroniclers, offer a subject of profound interest, and one still unexhausted, although it has been examined by Mr. Panizzi and M. Fauriel, but one which is quite beyond the scope of our present subject. Essay on the Romantic Narrative Poetry of the Italians: London, 1830. Histoire de la Poésie Provençale: Paris, 1846.
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