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Updated: June 12, 2025
"What is the fundamental of a perfected violin technic?" was a natural question at this point. "Absolute pitch, first of all," replied Elman promptly. "Many a violinist plays a difficult passage, sounding every note; and yet it sounds out of tune. The first and second movements of the Beethoven concerto have no double-stops; yet they are extremely difficult to play. Why?
Well, Eddy Brown is going to play my Second violin concerto, Op. 36 in B flat, which I wrote for the London Philharmonic Society, next season; Elman the Nardini concerto in A, which was published only shortly before the outbreak of the war. Thirty years ago I found, by chance, three old Nardini concertos for violin and bass in the composer's original ms., in Bologna.
Some of my friends have spoken of it to me at various times, so I suppose I do move, and sway and all the rest; but any movements of the sort must be unconscious, for I myself know nothing of them. And the idea that they are 'prepared' as 'stage effects' is delightful!" And again Elman laughed. "For that matter," he continued, "every real artist has some mannerisms when playing, I imagine.
In this way no real violinistic genius, whom poverty might otherwise have kept from ever realizing his dreams, was deprived of his chance in life. Among the pupils there in my class, having scholarships, were Kathleen Parlow, Elman, Zimbalist, Heifetz and Seidel. "Violin mastery? To me it represents the sum total of accomplishment on the part of those who live in the history of the Art.
There was a tractor now, of course; a phonograph with expensive records, so that Caruso and McCormack and Elman were household words; a sturdy, middle-class automobile, in which Bella lolled red-faced in a lacy and beribboned boudoir cap when they drove into town.
Then there is a trinity of mechanical perfection, composed of Locatelli, Tartini and Paganini or, a more modern equivalent, César Thomson, Kubelik and Burmeister. And, finally, what I might call in the order of lyric expression, a quartet comprising Ysaye, Thibaud, Mischa Elman and Sametini of Chicago, the last-named a wonderfully fine artist of the lyric or singing type.
I have heard the Tschaikovsky played magnificently by Auer and by Elman; but I consider it the worst thing the composer has written." The courts of editorial appeal presided over by such men as Wm. Arms Fisher, Dr.
I one year sold my wool, consisting of four thousand fleeces, for a penny a pound more than was given for the boasted wool shorn from the flock of the famous Mr. Elman, of Glind, in Sussex. When, at an agricultural meeting, he was told of this fact, he very coolly answered, that his wool was most decidedly the best, and that the superiority of price which Mr.
"Blessed are they who unflinchingly serve their Art, for thus only is their happiness to be gained. "Blessed are they who have many enemies, for square pegs will never fit into round holes." Arthur Hartmann, like Kreisler, Elman, Maud Powell and others of his colleagues, has enriched the literature of the violin with some notably fine transcriptions.
The rangers dropped in every evening with offerings. Ranger Winess brought us love songs. He doted on John McCormack's ballads, and I secretly applauded his choice. Of course I had to praise the Harry Lauder selections that Ranger Fisk toted in. White Mountain favored Elman and Kreisler. The violin held him spellbound.
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