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Updated: May 7, 2025


"Celia, did you bring our old bows?" asked her brother, eagerly, as she put down the book from which she had been reading Miss Edgeworth's capital story of "Waste not Want not; or, Two Strings to your Bow." "Yes, I brought all the playthings we left stored away in uncle's garret when we went abroad. The bows are in the long box where you found the mallets, fishing-rods, and bats.

Nearly always when an artist has been over-anxious to charge his work with a moral message, written so plain that all who run may read, he has failed to attain either of his ends, the ethical or the esthetic. There is a purpose plainly exprest in Miss Edgeworth's 'Moral Tales' and in her 'Parent's Assistant'; and the result is that healthy girls and wholesome boys are revolted.

Peregrine Orme was a year the younger, and therefore his comparative deficiencies were not the cause of any intense sorrow at The Cleeve; but his grandfather would probably have been better satisfied and perhaps also so would his mother had he been less addicted to the catching of rats, and better inclined towards Miss Edgeworth's novels and Shakespeare's plays, which were earnestly recommended to him by the lady and the gentleman.

Sir Walter Scott has told us that it was Miss Edgeworth's writing which first suggested to him the idea of writing about Scotland and its national life. Tourgenieff in the same way says that it was after reading her books on Ireland that he began to write of his own country and of Russian peasants as he did. Miss Edgeworth was the creator of her own special world of fiction, though the active Mr.

The inspector was more than satisfied; a young lady of so much judgment and discrimination was a peerless teacher, and Miss Edgeworth's work was henceforward beyond all question. There were no coaches running to Nyalong, and, as Philip's poverty did not permit him to purchase a horse, and he had scruples about stealing one, he packed up his swag and set out on foot.

One of Miss Edgeworth's failings is of great service to her, in this kind of painting: she wants what some persons call feeling, that is to say, she does not believe in the omnipotence of love, and therefore would never have written such a book as the "Sorrows of Werter;" and if she had possessed the same materials, she would have produced a very different work not so full of genius, perhaps, but an interesting and instructive tale.

Sir Walter delighted in Miss Sophy Edgeworth's singing, especially of Moore's Irish melodies. "Moore's the man for songs," he said. "Campbell can write an ode, and I can make a ballad; but Moore beats us all at a song."

When the hero is made the vehicle of one moral lesson, as Vivian, in Miss Edgeworth's "Tales of Fashionable Life," then there is no need of artificial ornament; and when there is no intention of presenting an unmixed character of evil, nothing remains but to draw from life, and the work is perfect.

"The strongest merit I can plead with such a woman as Miss Portman," he replied, "is that I was ready to sacrifice my own happiness to a sense of duty." Castle Rackrent "Castle Rackrent" was published anonymously in 1800. It was not only the first of Miss Edgeworth's novels, it is in many respects her best work.

Miss Edgeworth's general views, in these stories, are explained in the preface to the first volume. I cannot, however, omit repeating, that public favour has not yet rendered her so presumptuous as to offer hasty effusions to her readers, but that she takes a longer time to revise what she writes than the severe ancients required for the highest species of moral fiction.

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