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VII. By Jane, daughter of Sir John Fogge, Knt., he left issue two daughters and coheirs: Ann, the eldest, aet. 17, at her father's death, was wife of Nicholas Vaux, Lord Vaux, of Harrowden, who died in 1556, now represented by George Mostyn, Baron Vaux, and Robert Henry, Earl of Pembroke, and Edward Bourchier Hartopp, Esq. Cottle's Life of Coleridge, when reviewed in the Times.
At that moment it came strongly into my mind that I had got Uncle Toby before me, he looked so kind and so good. I could not say an unkind thing of "Alfred." So I set my memory to work to recollect what was the name of Alfred's queen, and with some adroitness recalled the well-known sound to Cottle's ears of Alswitha.
I assure you that Longman regretted the bargain he made with Cottle concerning the second edition of the "Joan of Arc," and is indisposed to similar negotiations; but most and very eager to have the property of your works at almost any price. If you have not heard it from Cottle, why, you may hear it from me, that is, the arrangement of Cottle's affairs in London.
Cottle's Reminiscences are here a blank; Charles Lamb's correspondence yields little; and though De Quincey has plenty to say about this period in his characteristic fashion, it must have been based upon pure gossip, as he cites no authorities, and did not himself make Coleridge's acquaintance till six years afterwards.
The Times review of Joseph Cottle's Reminiscences of Coleridge and Southey, appeared Nov. 3. 1847; and on the following day, Mr. Thomas Holcroft complained by letter of a misrepresentation of his father by Mr. Cottle. Times, Herald, Chronicle, &c., when first established.
Cottle's and met Mrs. They carry me to London and set me down at the Temple, where my mind changed and I home, and to writing and heare my boy play on the lute, and a turne with my wife pleasantly in the garden by moonshine, my heart being in great peace, and so home to supper and to bed.
So what with my actual memory, of which I made the most, and Cottle's own helping me out, for I really had forgotten a good deal of "Alfred," I made shift to discuss the most essential parts entirely to the satisfaction of its author, who repeatedly declared that he loved nothing better than candid criticism. Was I a candid greyhound now for all this? or did I do right? I believe I did.
When Cottle's publishing business was transferred to Longmans in 1799, the value of the copyright of "Lyrical Ballads," for which Cottle had paid the authors 30 guineas, was estimated at nothing. Cottle then presented the copyright to Wordsworth and Coleridge.
At one point Jasper made a pause to speak of the pleasant wooded prospect that lay before them; his companion regarded it absently, and in a moment or two asked: 'Did you ever come across Cottle's poem on the Malvern Hills? No? It contains a couple of the richest lines ever put into print: It needs the evidence of close deduction To know that I shall ever reach the top.
I got as far as the Mad Monk the first day, and fainted. Mr, Cottle's genius strongly points him to the Pastoral, but his inclinations divert him perpetually from his calling. He imitates Southey, as Rowe did Shakspeare, with his "Good morrow to ye, good master Lieutenant," Instead of a man, a woman, a daughter, he constantly writes "one a man," "one a woman," "one his daughter."
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