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Updated: May 7, 2025


Though Jacques Rollet persisted in asserting his innocence, founding his defense chiefly on circumstances which were strongly corroborated by the information that had reached De Chaulieu the preceding evening he was convicted.

Many bourgeois critics unjustly deny the innocence and virtue of young girls who, like Sabine, are truly virgin at heart, improved by the training of their minds, by the habit of noble bearing, by natural good taste, while, from the age of sixteen, they have learned how to use their opera-glasses. Sabine was a girl of this school, which was also that of Mademoiselle de Chaulieu.

The evidence against Jacques, it is true, was altogether presumptive; there was no proof whatever that he had committed the crime; and for his own part he stoutly denied it. But Antoine de Chaulieu entertained no doubt of his guilt, and his speech was certainly well calculated to carry conviction into the bosom of others.

Then he had taken the Duchesse by the hand, and led her into a window recess to say a few words in an undertone, which made poor Clotilde turn pale; for she watched her mother as she listened to the Duke, and saw her expression of extreme surprise. "Jean," said the Duke to one of his servants, "take this note to Monsieur le Duc de Chaulieu, and beg him to answer by you, Yes or No.

But when they reached the landing-place of the first flight, they saw the figure of a man standing in a corner as if to make way for them; the flash from above fell upon his face, and again Antoine de Chaulieu recognized the feature of Jacques Rollet!

The transitory effects of the Champagne had now subsided; but when De Chaulieu recollected what had happened, nothing could exceed his shame and mortification. So engrossing indeed were these sensations that they quite overpowered his previous ones, and, in his present vexation, he, for the moment, forgot his fears.

Chaulieu says of Crebillon's Rhadamiste, "The piece would be perfectly clear were it not for the exposition." To me it seems that their whole system of expositions, both in Tragedy and in High Comedy, is exceedingly erroneous. Nothing can be more ill-judged than to begin at once to instruct us without any dramatic movement.

Satisfied, at length, with what they had seen, they began to think of returning to the inn, the more especially as De Chaulieu, who had not eaten a morsel of food since the previous evening, owned to being hungry; so they directed their steps to the door, lingering here and there as they went, to inspect a monument or a painting, when, happening to turn his head aside to see if his wife, who had stopped to take a last look at the tomb of King Dagobert, was following, he beheld with horror the face of Jacques Rollet appearing from behind a column!

Madame de Chaulieu bowed her head in salutation of Helene and her aunt; then, saying to Diane, in a pure and equable tone of voice, without a trace of emotion, "Is it not time to dress, duchess?" she made her exit, accompanied by her daughter-in-law and Mademoiselle d'Herouville.

The pretty Baronne de Macumer nee de Chaulieu the Duchesse de Maufrigneuse, Madame d'Espard, Madame de Camps, and Mademoiselle des Touches a connection of the Grandlieus, who are a Breton family were frequent visitors on their way to a ball or on their return from the opera.

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