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Updated: May 28, 2025
The most important part of the temple was the cella, where the statue of the deity was kept, and was generally surrounded with a balustrade. Beside the cella was the vestibule, and a chamber in the rear or back front in which the treasures of the temple were kept.
It was the rule to have twice as many columns along the sides as in front, and one more. Some of the temples had double rows of columns on all sides, like that of Diana at Ephesus, and of Quirinus at Rome. The distance between the columns varied from a diameter and half of a column to four diameters. About five eighths of a Doric temple were occupied by the cella, and three eighths by the portico.
"The father of the gods and of men was seated on a splendid throne in the cella of his Olympic temple, his head encircled with a golden olive-wreath; in his right hand he held Nike, who bore a fillet of victory in her hands and a golden wreath on her head; in his left hand rested the richly-decorated sceptre."
In front of the cella was the vestibule, and in the rear or back a chamber in which the treasures of the temple were kept. There were never more than ten columns across the front. The Parthenon had eight, but six was the usual number. It was the rule to have twice as many columns along the sides as in front.
The girl went into the house, and Béclère came down to meet his guest, apologising for having left him so long alone.... He talked to him about the beauty of the morning. The rains were over, or nearly, but very often they began again. "Cella se pent qu'elle ne soit qu'une courte embellie, mais profitons en," and they turned to admire the roses.
It was the cella, or great circular space of the inner temple. The brazen doors of this huge hall, facing the west, as was usual in all Roman temples, were thrown open; and without these, on the portico, yet so placed that they could hear every word that passed within the building, sat on their benches, five on each side of the door, the ten tribunes of the people.
With a length of 190 feet and a breadth of 84 feet, this building is hypoethral, which means that the cella, or sanctuary that held the statue of the deity, was constructed open to the sky. It is peripteral, and presents a row of six pillars fluted at base and top, with twelve on each side, making thirty-six in all.
She did not appear to notice Hermon, and when at last he appealed to her and briefly urged her to ask the old enchantress on the Owl's Nest for a remedy for the wounded Gaul, she again leaned against the post of the cella door, extended both arms with passionate fervour toward the goddess, and remained standing there motionless, deaf to his petition.
Let the columns round the cella be arranged in the symmetrical proportions just given. The proportions of the roof in the centre should be such that the height of the rotunda, excluding the finial, is equivalent to one half the diameter of the whole work. The finial, excluding its pyramidal base, should have the dimensions of the capital of a column.
The one is a small circular building, with ten pillars surrounding the broken-down cella, whose familiar appearance is often represented in plaster models and bronze and marble ornamental articles, taken home as souvenirs by travellers; and the other stands close by, and has been transformed into the present church of St. Giorgio.
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