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Updated: May 17, 2025
These two points accomplished, he went in search of the painter who was to paint the sign; and he was soon found. He was an old Italian, a rival of the Raphaels and the Caracci, but an unfortunate rival. He said he was of the Venetian school, doubtless from his fondness for color.
Of these the Louvre has a very rich collection, occupying many apartments, and comprising sketches by Annibale Caracci, Claude, Raphael, Leonardo da Vinci, Michel Angelo, Rubens, Rembrandt, and almost all the other great masters, whether French, Italian, Dutch, or whatever else; the earliest drawings of their great pictures, when they had the glory of their pristine idea directly before their minds' eye, that idea which inevitably became overlaid with their own handling of it in the finished painting.
I could, I think, make a neat thing of this, obnoxious to ridicule perhaps; what then! The author of Ma Sœur Anne was a clever man, and his tale will remain popular in spite of all gibes and flouts soever. So Vamos Caracci! If it was not for the trifling and dawdling peculiar to this country, I should have time enough, but their trifling with time is the devil. I will try to engage Mr.
The style is that of the Corinthian renaissance, and Walpole's description applies as much to-day as when he wrote. The pictures include some of the masterpieces of Reynolds, Lely, Vandyck, Rubens, Tintoretto, Canaletto, Giovanni Bellini Domenichino and Annibale Caracci. Two or three miles to the south, the road finds itself close to the deep valley of the Derwent.
That this is not a necessary attendant on oil-painting, we have abundant instances in more modern painters. Lodovico Caracci, for instance, preserved in his works in oil the same spirit, vigour, and correctness, which he had in fresco.
It was the portrait of Raphaelle's favourite mistress, and his own child by her sate for the Bambino: is it then wonderful that it should want that heavenly expression of dignity divine, and grace unutterable, which breathes through the school of Caracci?
The popularity of Titian's decorative canvases is proved by the fact that Bernardino Campi of Cremona made five successive sets of copies from them for Charles V., d'Avalos, the Duke of Alva, Rangone, and another Spanish grandee. Agostino Caracci subsequently copied them for the palace of Parma, and traces of yet other copies exist.
Lanzi says he painted a picture of Leo X. so full of life, that the Cardinal Datary approached it with a bull and pen and ink, for the Pope's signature. A similar story is related of Titian. Count Algarotti relates, that Annibale Caracci was so deceived by a book painted upon a table by Jacopo da Ponte, that he stretched out his hand to take it up.
My last remembrance of him is as the center of a small party in one of the famous rooms of the Palazzo Borghese which were painted by the Caracci, this time in a more serious and communicative mood, so that one realized in him more clearly the cosmopolitan and liberal scholar, whose work on the early Papacy, and the origins of Christianity in Rome, is admired and used by men of all faiths and none.
Rubens and Velasquez imitated and copied the great Italian masters, particularly Paul Veronese and Titian; the Caracci and their followers multiplied Correggios, Raphaels, and the chief Venetians; Girolamo da Carpi of Ferrara the same; and all with a degree of success that has greatly perplexed later generations: their own works, in turn, as they became popular, experiencing from subsequent artists the same process of multiplication.
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