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Michael Angelo Buonarroti, born at Castel Caprese near Tuscany, 1475, is the next of these universal geniuses, a term which we are accustomed to hold in contempt, because we have only seen it exemplified in parody.

About this time two plans were set on foot for erecting monuments to Michelangelo's memory. The scheme started by the Romans immediately after his death took its course, and the result is that tomb at the SS. Apostoli, which undoubtedly was meant to be a statue-portrait of the man. Vasari received from Lionardo Buonarroti commission to erect the tomb in S. Croce. The correspondence of the latter, both with Vasari and with Jacopo del Duca, who superintended the Roman monument, turns for some time upon these tombs. It is much to Vasari's credit that he wanted to place the Piet

'You ought at least to touch it up with gold, replied the Pope; and Michelangelo, with that familiarity he used toward his Holiness, said carelessly: 'I have not observed that men wore gold. The Pope rejoined: 'It will look poor. Buonarroti added: 'Those who are painted there were poor men. So the matter turned into pleasantry, and the frescoes have remained in their present state."

The subterranean vaults of S. Peter's contain mere fragments of tombs, some precious as historical records, some valuable as works of art, swept together pell-mell from the ruins of the old basilica. See the original letter to Ammanati, published from the Archivio Buonarroti, by Signor Milanesi, p. 535. I am far from meaning that the earlier architects had not been guided by ancient authors.

With the same intention of forming an academy or school of art, Lorenzo went to Ghirlandajo, and begged him to select from his pupils those whom he considered the most promising. Ghirlandajo accordingly drafted off Francesco Granacci and Michelangelo Buonarroti.

There are bits of Gothic sculpture that are more valuable expressions of human feeling than anything produced by the contemporaries of Buonarroti. Even in times of decadence a great artist has created finer things than could be accomplished by a mediocre talent of the great epochs, and the world could ill spare the Victory of Samothrace or the portrait busts of Houdon.

The man laid bad foundations, and Buonarroti riding over the new bridge one day with Vasari, cried out: "George, the bridge is quivering beneath us; let us spur on, before it gives way with us upon it." Eventually, the bridge did fall to pieces, at the time of a great inundation. Its ruins have long been known as the Ponte Rotto.

At the same time Clement wished to provide for him for life. He first proposed that Buonarroti should promise not to marry, and should enter into minor orders. This would have enabled him to enjoy some ecclesiastical benefice, but it would also have handed him over firmly bound to the service of the Pope.

But, after Giorgio had made some models for that tomb, the Pope discussed the whole matter with Michelagnolo Buonarroti before he would make up his mind; whereupon Michelagnolo told his Holiness that he should not involve himself with carvings, saying that, although they enrich a work, they confuse the figures, whereas squared work, when it is well done, is much more beautiful than carving and is a better accompaniment for the figures, for the reason that figures do not brook other carvings about them: and even so did his Holiness order the work to be done.

The new State hastened to form an alliance with France, and Malatesta Baglioni was chosen as military Commander-in-Chief. Meanwhile the city armed itself for siege Michel Angelo Buonarroti and Francesco da San Gallo undertaking the construction of new forts and ramparts.