Vietnam or Thailand ? Vote for the TOP Country of the Week !
Updated: June 13, 2025
A simple appliqué was also done by cutting out pieces of one material and applying them to another, hiding the edge-joinings by couching on a cord. As an improvement upon painted banners to be used in processions, Botticelli introduced this method of cutting out and resetting colours upon a different ground.
The fish seemed as terrible and dangerous to me as to Tobit, in the Apocrypha, did that ferocious half-pounder which he carries on a string in the early Italian pictures. How oddly Botticelli and his brethren misconceived the man-devouring fish, which must have been a crocodile strayed from the Nile into the waters of the Euphrates! A half- pounder!
The lips were still always a trifle parted, and she still seemed to be looking out for what was coming, like a little Madonna, or Venus, in a Botticelli picture. This look of hers, coupled with the matter-of-factness of her speech, gave its flavour to her personality.... On Christmas Day the picture was on view to Mr. Purcey, who had chanced to "give his car a run," and to other connoisseurs.
In the picture of "Spring" there is the same choice of form, the same purity of line, the same rare interlacement in the limbs. It would seem as though Botticelli intended every articulation of the body to express some meaning, and this, though it enhances the value of his work for sympathetic students, often leads him to the verge of affectation.
There was something so gentle, so peaceful in a Botticelli that he really preferred it to some of the famed colorists, always excepting Veronese, to whom he had given his first admiration. For luncheon this day Hillard took him to Paoli's in the Via dei Tavolini the way of the little tables.
Among the pleasantest pictures are a Lippo Lippi Madonna and Child, a Filippino Lippi Madonna and Child with Angels, and a similar group by Botticelli; but one has a feeling that Carlo Dolci and Guido Reni are the true heroes of the house.
Narcisse for his part had not raised his eyes to the overpowering splendour of the ceiling. Wrapt in ecstasy, he did not allow his gaze to stray from one of the three frescoes of Botticelli. "Ah!
There is, for instance, the figure of a Muse, elaborately modelled under her ample drapery, seated cross-legged by a playing fountain, on a carpet of exquisitely designed ground-ivy, a little bare trellis behind her, a tortoise lyre in her hand; which has in it somewhat of that odd, vague, questioning character, half of eagerness, half of extreme lassitude, which we find in Botticelli.
Glorious Spring is returning to earth in the presence of Venus once more to make all glad, and with her her attendants to dance and sing, and the Zephyrs to bring the soft breezes; and by Spring Botticelli meant the reign of Lorenzo, whose tournament motto was "Le temps revient". Simonetta is again the central figure, and never did Botticelli paint more exquisitely than here.
Botticelli lived in a generation of naturalists, and he might have been a mere naturalist among them. There are traces enough in his work of that alert sense of outward things, which, in the pictures of that period, fills the lawns with delicate living creatures, and the hillsides with pools of water, and the pools of water with flowering reeds.
Word Of The Day
Others Looking