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Updated: May 13, 2025
To differentiate between the crowd of workmen that surrounded Filippo Lippi and Botticelli were impossible. They painted beautiful things because they lived in an age in which ugliness hardly existed, or was not as visible as it is now; they were content to merge their personalities in an artistic formula; none sought to invent a personality which did not exist in himself.
He also, like Perugino, could detach his figures from the background, and send the line of hills receding back to the horizon. Signorelli owes to him, besides, certain superficial characteristics, such as the fluttering scarfs and ribbon-like draperies, and the upturned face with ecstatic eyes which belongs to the Umbrian painter as much as the drooping head belongs to Botticelli.
She knew her worth, realized her beauty, and feeling her power made others feel it, too. On a visit to the villa of the Medici at Fiesole she first saw Sandro Botticelli at an evening assembly in the gardens. She had heard of the man and knew his genius. When they suddenly met face to face under the boughs, she noted how her beauty startled him.
Among his works may be mentioned an article on Coleridge, and others on Winckelmann, Leonardo da Vinci, Michelangelo, Botticelli, etc., which were coll. and pub. as Studies in the History of the Renaissance ; Appreciations contained his great essays on Æsthetic Poetry and Style, various Shakespearian studies and papers on Lamb and Sir T. Browne; Imaginary Portraits, and Greek Studies ; Plato and Platonism . His masterpiece, however, is Marius the Epicurean , a philosophical romance of the time of Marcus Aurelius.
One could hardly imagine two more dissimilar spirits than Luini and Botticelli. To Luini's Virgin, the consciousness of her son's greatness is a proud honor, accepted seriously, but gladly. To Botticelli, on the other hand, it brings a profound melancholy.
Are Raphael and Michelangelo only provisionally eclipsed by Botticelli and by Donatello and Mino da Fiesole, or are they remanded to a lasting limbo? I find I have said in my notes that the Moses is improbable and unimpressive, and I pretended a more genuine joy in the heads of the two Pollajuolo brothers which startle you from their tomb as you enter the church.
Afterward he shall be chained according to the twelfth of John, and see him trodden down as in this picture." All of this is interesting because Botticelli himself wrote it, but it is not very easily understood by any child, nor by many grown people. Botticelli did some very extraordinary things, but whether they are beautiful or not one must decide for himself.
But the genius of which Botticelli is the type usurps the data before it as the exponent of ideas, moods, visions of its own; in this interest it plays fast and loose with those data, rejecting some and isolating others, and always combining them anew.
At bottom, beneath this make-believe Florentine all-angelicalness, with long curly hair and mauve eyes which grew dim with rapture at sight of a Botticelli, there was a thoroughly practical, business-like young man, who took admirable care of his fortune and was even somewhat miserly. However, he contented himself with lowering his eyelids and assuming a languorous air.
The ingenious grace of Botticelli passes sometimes from the realm of art to that of poetry, as in the case of those flowers, with stiff, tall stems, which he places by the uplifted foot of the middle Grace, thus showing that she has trodden over it, like Virgil's Camilla, without crushing it.
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