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Lady Castlefort was not of the violent vindictive sort, with her there was no long-lasting depit amoureux. She was not that fury, a woman scorned, but that blessed spirit, a woman believing herself always admired. "Soft, silly, sooth not one of the hard, wicked, is Louisa," thought Cecilia.
But just as if he had seen me yesterday he said, "Tiens! c'est vous; une demi-tasse? oui...garçon, une demi-tasse." Presently the conversation turned on Marshall; they had not seen much of him lately. "Il parait qu'il est plus amoureux que jamais," Julien replied sardonically. I found my friend in large furnished apartments on the ground floor in the Rue Duphot.
Vive Jesus, lorsque sa bouche D'un baiser amoureux me touche. Vive Jesus, grand il m'appelle Ma soeur, ma colombe, ma belle. Vive Jesus, quand sa bonte, Me reduit dans la nudite; Vive Jesns, quand ses blandices Me comblent de chastes delices. "Live Jesus, whose love consumes me night and night. Live Jesus, live his force, live his agreeable attraction.
"Then, as you do not think it necessary for your hero to be eperdument amoureux, I presume," said Lady Delacour, "you do not think it necessary that a heroine should be in love at all. So love and marriage are to be separated by philosophy, as well as by fashion. This is Lady Anne Percival's doctrine! I give Mr. Percival joy. I remember the time, when he fancied love essential to happiness."
I have been seeing the three Coquelins and their company at the Garrick Theatre. They did "Tartuffe," "L'Avare," "Le Bourgeois Gentilhomme," "Les Précieuses Ridicules," and a condensed version of "Le Dépit Amoureux," in which the four acts of the original were cut down into two. Of these five plays only two are in verse, "Tartuffe" and "Le Dépit Amoureux," and I could not help wishing that the fashion of Molière's day had allowed him to write all his plays in prose. Molière was not a poet, and he knew that he was not a poet. When he ventured to write the most Shakespearean of his comedies, "L'Avare," in prose, "le même préjugé," Voltaire tells us, "qui avait fait tomber 'le Festin de Pierre, parce qu'il était en prose, nuisit au succès de 'l'Avare. Cependant le public qui,
They are not literature but express what was in the mind of the famous scientist: "Elle a cinq instruments dont je suis amoureux, Les deux premiers, ses mains, les deux autres, ses yeux; Pour le dernier de tous, et cinquième qui reste, Il faut être galant et leste." In the year 1696, when Ninon had reached eighty, she had several attacks of illness which worried her friends exceedingly.
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