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Antoninus made a campaign among the Alamanni and wherever he saw a spot suitable for habitation he would order: "There let a fort be erected: there let a city be built." To those spots he applied names relating to himself, yet the local designations did not get changed; for some of the people were unaware of the new appellations and others thought he was joking.
The original and the copy were carried by Mini to Paris in 1533, and deposited in the house of Giuliano Buonaccorsi, whence they were transferred in some obscure way to the custody of Luigi Alamanni, and finally passed into the possession of the King.
In July, 1489, Pietro Alamanni, one of Lorenzo de' Medici's agents, wrote to ask his master if he could send another artist capable of executing the work to the Milanese court. "Signor Lodovico," he says, "wishes to raise a noble memorial to his father, and has already charged Leonardo da Vinci to prepare a model for a great bronze horse, with a figure of Duke Francesco in armour.
Buccelin, and the greatest part of his army, perished on the field of battle, in the waters of the Vulturnus, or by the hands of the enraged peasants: but it may seem incredible, that a victory, which no more than five of the Alamanni survived, could be purchased with the loss of fourscore Romans.
"I verily believe you," said the Florentine, Pietro Alamanni, who recorded these words, to Piero de' Medici, "that he means to make himself greater still, and dreams of a kingdom of Insubria and Liguria." And Donato de' Preti evidently thought the same.
Alemanni, or Alamanni, a name assumed by a confederacy of German tribes, situated between the Neckar and the Upper Rhine, who united to resist the encroachments of the Roman power. According to Mannert, they derived their origin from the shattered remains of the army of Ariovistus retired, after the defeat and death of their leader, to the mountainous country of the Upper Rhine.
From the sources of the Rhine to the Atlantic Ocean the German tribes were in motion; the whole line of the Rhine was threatened by them; it was a moment like that when the Alamanni and the Franks threw themselves on the falling empire of the Caesars; and even now there seemed on the eve of being carried into effect against the Celts that very movement which was successful five hundred years afterwards against the Romans.
Three of Petrarch's sonnets are satires on the court of Rome; those of Ariosto are valuable not only for their flowing style, but for the details they afford of his character, taste, and circumstances. The satires of Alamanni are chiefly political, and in general are characterized by purity of diction and by a high moral tendency.
Its completion was afterwards entrusted to his brother Aristotile, who, as will be told, had returned to Florence many and many a year before, after having amassed a large sum of money under the above-named Giuliano Leno, in the business that his brother had left him in Rome; with a part of which money Aristotile bought, at the persuasion of Luigi Alamanni and Zanobi Buondelmonte, who were much his friends, a site for a house behind the Convent of the Servites, near Andrea del Sarto, where, with the intention of taking a wife and living at leisure, he afterwards built a very commodious little house.
The other ambassadors watched the scene with curious eyes, but the first impression which Louis of Orleans made upon them was distinctly unfavourable. "He has a small head with not much room for brains," wrote Pietro Alamanni to Piero de' Medici; "Lodovico will soon get the better of him."
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