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"Think of your singing lessons with Madame Martelli," said Margaret, who was quietly watching the struggle with herself to which Eleanor's changing face bore eloquent witness. That clenched the matter. Eleanor gave in; but this time it was she who found it difficult to meet Margaret's eyes. "Oh, Margaret," she said, "if you appeal to my ambition my better self goes under.

Murray, who had really only caught enough of her visitor's last remark to know that she was praising her young guest. "But I have only heard her once or twice as yet. Madame Martelli will not allow her to sing much to me, or to any one, at present. She likes to hear every note she utters. I think her grandfather will be pleased with her progress when she goes home.

It is a great thing to be able to amuse oneself with music and give pleasure to one's friends at the same time." Eleanor had recounted this scene with so much vivacity, accompanying her recital with various gesticulations, and imitating with what Margaret felt sure was considerable accuracy the different voices of Madame Martelli and Mrs.

But at that moment Eleanor began to sing, and the look of kindly approval which Lady Strangways' face had worn was swept away as by some magic touch, for Signor Vanucci and Madame Martelli had made no mistake.

"'I am glad you think, then, that her voice is worth training, and that you consent to give her lessons." "The very calmness of the reply nearly set off Madame Martelli again.

And what would Madame Martelli say when she heard that her pupil was not her real pupil at all? But of her, and of all she would lose by going away, Eleanor could not trust herself to think. With an effort she made her mind a blank and stood drearily silent waiting for Margaret to get up and follow her to the house. Of what Mrs.

But since I did not, let us without further delay turn to the Via Cavour, which runs away to the north from the Baptistery, being a continuation of the Via de' Martelli, and pause at the massive and dignified palace at the first corner on the left.

But Martelli was only a tame imitator of French models, while Maffei, possessing real talent and feeling, deserved the extended reputation he acquired. His "Merope" is considered as the last and the best specimen of the elder school of Italian tragedy.

You are going to have lessons from Martelli. And you are not out of your mind with joy. What a wicked, wicked waste it is!" "Is it not?" Margaret agreed, not a whit offended at the frankness of this remark. "I do not wish to learn singing. I know my voice possesses no merit whatever, and, moreover, I am not always sure whether I am singing in tune or not."

I have not made so much progress as I intended, and have not yet quite finished the second volume. I detest Cosmo the Great. I am sorry, either that he was so able a man, or so successful a man. When tyrants are great men they should miscarry; if they are fools, they will miscarry of course. Pray, is there any picture of Camilla Martelli, Cosmo's last wife? I had never heard of her.