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Updated: June 26, 2025
I'm not resigned and I don't want to be! But I will try to be game about it, and we can't be game while we are sore. I know that because the times I've been least game are the times I was most sore. Wonder if anybody can make any sense out of that? "Life's queer you can't get around that. Making us one thing and then making us be another. What are we to think of it, liebchen?
She is de sharm of everlasting feminine," and he heaved a sigh. I says: "Ewigweibliche!" I says. "Everlasting feminine! What's the use of that?" I took to studying Liebchen too, and it appeared to me Kreps' idea wasn't useful He was a man to have sentiments naturally.
"Get out of the way with you, liebchen;" and the man who carried the cross knocked him with force on the head by mere accident, but Findelkind thought he had meant it. Were people so much kinder five centuries before? he wondered, and felt sad as the many-colored robes swept on through the grass and the crack of the rifles sounded sharply through the music of the chanting voices.
Perhaps the only person in the hall who was not either shouting or screaming, according to sex, was Norah's mother; and the cloud on her face lightened when she saw Norah coming to her on Pat Barnes's arm and Pat's face aglow. Freda saw them too; she slipped her hand into her father's arm. "Liebchen!" said he, stroking it with his rough fingers, "I will get thee a watch some day, never fear!"
"I didn't want him any longer, liebchen," he said it much like a little child "I want you." "Of course you do," tenderly "and I'm the one for you to have. But not up here. The light is too bright up here." She pulled at his hand as if to induce him to rise. But he made no movement to do so, and he did not seem to have heard what she said.
We called her "Liebchen" and she surely acted singular, did Liebchen, but I liked her too. Kreps said she was "symbol," but his ideas and mine didn't agree. He said she was a type of the "Ewigweibliche," which is another good word though a Dutch one. Maybe she was. Maybe Veronica was another type. I guess it's a word that's got some varieties to it.
But Kreps took off his spectacles and wiped them, and he says: "Ach, Liebchen!" he says. "She iss too much." "Thas whale!" says Kamelillo. "Thas all right!" "Liebchen iss too much of her," says Kreps very dignified, and stalked to the camp. "Thas whale!" says Kamelillo. "Thas all right!" He chopped the jam that afternoon, and it floated out in the night or early morning with the ebb.
For just a minute she did not give them, but that was only for the minute so quick was she to forgive, so eager to understand. "Forget that, sweetheart quick. I didn't know what I was saying. Why, liebchen it's only you makes it bearable at all. If I did not have you I should choose the other way." "Karl!" in an instant clinging to him wildly "you hadn't thought you couldn't think "
But there were two harpoons, more than the bamboo, sticking in her very deep, and the lines were hitched to a longboat, the longboat coming inshore now full of men. Veronica squatting on the thwart of the same, comfortable and dignified. Kamelillo says, "Whale ain't got sense, thas whale!" And Kreps says, "Ach, Liebchen!" She struck her last flurry, and filled the air with spray.
Liebchen passed close beneath us. Seemed like she felt mortified. Kreps broke down, but Kamelillo was gay. "Dam hen!" he says, and grabbed Veronica with both hands. "Go too!" and he flung her at Liebchen, and she went through the air squawking and fluttering. She lit on Liebchen's slippery back, and she slid till she struck the bamboo, and roosted.
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