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Updated: June 15, 2025


Talma, Mademoiselle Duchesnoir, Mademoiselle Mars, triumphed at the Francais; Mademoiselle Georges, at the Odeon; Nourrit, Levasseur, Madame Damoreau, Taglioni, at the Opera; Sontag, Pasta, Malibran, and Rubini at the Italiens. The Viscount de la Rochefoucauld wished in every way to raise the moral level of the theatre.

He looked dismayed when he beheld Madeleine's face of woe, and Bertha's tearful countenance; but the latter checked his glance of inquiry by asking abruptly what he wanted. Still regarding Madeleine with an expression of deep concern, he replied, "The vâlet of Count Damoreau has just left this letter for Mademoiselle Madeleine, and desired that it should be delivered to her at once."

Far from sharing his mother's indignation at the proposal of Count Damoreau, he had made up his mind to force Madeleine into acceptance, if no other presented itself for freeing the château from her presence. Count Tristan was in the heat of argument with his haughty mother, when the door of the library opened, and Madeleine entered.

"Count Damoreau had no authority to write in such a strain to you," observed the countess, with asperity. "There is his letter. He informed me that he has the Count Tristan's authority. To prove it, he encloses the letter yesterday delivered to him by M. Gaston de Bois." Count Tristan was too thoroughly confounded to attempt any reply.

With Ole Bull, Vieuxtemps, and Knoop, Castellan and Damoreau the Beethoven symphonies and German overtures of the Philharmonic Society, the art has reached a point hitherto unattained. Yet this is partly deceptive. Most persons heard Ole Bull from curiosity, and the symphonies from fashion. Such music and such artists have no permanent hold of the heart here.

"Count Damoreau tells me that you and my aunt desire to withdraw your protection from me; that you feel I have sufficiently long enjoyed the shelter of your roof; that you wish to provide me with some other asylum." There was no hesitation in her voice as she uttered these words. She spoke in a tone rendered clear and quiet by the dignity of self-respect.

Madame de Nervac turned pale, and the Count Damoreau turned red, and M. de Bonneville gnawed his nails as he was reading." "Had they the kindness to send answers by you, as I requested?" "Yes, the object of my early vi vi visit was to deliver them. I heard Mademoiselle Madeleine singing as I passed the châlet, and paused to pay my respects."

The pianoforte performances of Chopin took up by far the greater part of the programme, which was varied by two arias from Adam's "La Rose de Peronne," sung by Mdme. Damoreau Cinti, who was as usual "ravissante de perfection," and by Ernst's "Elegie," played by the composer himself "in a grand style, with passionate feeling and a purity worthy of the great masters."

"I am a a ware," began M. de Bois, trying to calm his indignation, yet experiencing a strong desire to adopt his new method of speaking fluently by using strong interjections. The count changed the subject by asking, "Did you deliver the letters, of which you had the goodness to take charge, to the Count Damoreau, Madame de Nervac, and Monsieur de Bonneville?"

"I dare say you think I have emptied my budget of news," Maurice went on; "but you are mistaken: several bits of agreeable intelligence remain behind. At the Château de Tremazan, I saw three of our relatives on the de Gramont side, Madame de Nervac, the Count Damoreau, and M. de Bonneville. They inquired kindly after you, Madeleine, and I told them you were the most"

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