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To begin with, the Carolingian stories had been saturated with Arthurian colour: they had been furnished with all the knight-rrantry, all the gallantry, all the enchantments, the fairies, giants, and necromancers of the Keltic legends; and, moreover, they had lost, by infinite repetition, all the political realism and meaning so striking in "The Chanson de Roland" and "The Quatre Fils Aymon;" a confusion and unreality further increased by the fact that the Italians had no original connection with those tales, that to them real men and plans were no better than imaginary ones, and that the minstrels who sang in the market-place, and the laborious prose-writers who compiled such collections as that called of the "Reali di Francia," were equally free in their alterations and adaptations, creating unknown relationships, inventing new adventures, suppressing essential historical points, with no object save amusing their audience or readers with new stories about familiar heroes.
We have lost most of the artistic treasures and manuscripts of the period through the subsequent Norman invasions. Every vestige of Carolingian sculpture and architecture in Belgium has been destroyed. But, through the works accomplished in other countries and with the help of a few documents such as the inventory preserved in the Chronicle of St.
Other causes assisted the process, the most potent perhaps being the chaotic condition of European society during the break-up of the Carolingian Empire and the Scandinavian and Hungarian invasions.
While troubadours and minnesingers were busy with the court of Arthur, and grave Latinists like Rusticiano of Pisa wrote of Launcelot and Guenevere; the Carolingian epics seem to have been mainly sung about by illiterate jongleurs, and to have busied the pens of prose hackwriters for the benefit of townsfolk.
There are few phenomena in the history of ideas and forms more singular than that of the sudden conquest of the poetry of dominant or distant nations by the poetic subjects of a comparatively small race, sheared of all political importance, restricted to a trifling territory, and well-nigh deprived of their language; and of this there can be found no more striking example than the sudden ousting of the Carolingian epic by the cycle of Arthur.
But Gard discovered that while they had kept the puissant Carolingian snatched to their breasts, the chivalrous side of the great medieval evolution which ended in fostering the romantic ideal of womanhood in its chastity, daintiness and colorful spell, had never reached much east of his capital Aix-la-Chapelle.
When they ceased, the Carolingian county too often became a hereditary fief exploited for the lord's sole benefit. The Empire was not intended to supersede this system of royal government; kings no less than emperors were regarded as holding a definite rank and office in the Christian commonwealth.
This step did not bring unmixed blessings; it gave the Germans an excuse for interfering in Bohemian affairs. Now Arnulf was a Carolingian, of bastard blood indeed, but nevertheless under the "Holy Roman Empire" obsession, and therefore convinced of the German right to round up all Christian countries into that Empire.
Then the circumstances under which Charlemagne was crowned made it possible for the popes to claim, later, that it was they who had transferred the imperial power from the old eastern line of emperors to the Carolingian house, and that this was a proof of their right to dispose of the crown as they pleased.
Now the emperor is putting on his domestic robes, we said, a new dress, made after the old Carolingian pattern. The hereditary officers receive the insignia, and with them get on horseback. The emperor in his robes, the Roman king in the Spanish habit, immediately mount their steeds; and, while this is done, the endless procession which precedes them has already announced them.
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