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Congress had dismissed the subject of Territorial Government; and here it was again, in a more troublesome guise than it had ever before assumed. The ghost of the murdered Banquo would not down at its bidding. Nearly the entire session of 1856 was consumed in heated and virulent debates on Kansas.

Not long after, calling out to a young Baronet by his Name, who sat three Seats before me, she asked him whether Macbeth's Wife was still alive; and before he could give an Answer, fell a talking of the Ghost of Banquo. She had by this time formed a little Audience to herself, and fixed the Attention of all about her.

But now, the spotted phantom sweeps by; as a man-of-war's main-sail, cloud-like, blown far to leeward in a gale. Banquo down, we return. In Valapee, prevails not the barbarous Hindoo custom of offering up widows to the shades of their lords; for, bereaved, the widows there marry again.

Let it be supposed, for an instant, that the text ran thus Banquo. ... What are these So withered and so wild in their attire, That look not like the inhabitants o' th' earth, And yet are on't? Live you, or are you ought That man may question? Macbeth. Speak if you can, what are you? 1st Witch. All hail, Macbeth! hail to thee, thane of Glamis! 2nd Witch.

It is the headless Banquo 'the blood-boltered Banquo' that stalks through that shadowy background all unharmed; his Fleance lives, and in him 'Nature's copy is eterne.

Far, indeed, was any one from supposing that a movement had been set on foot which was to end only with the total destruction of the "interest" sought to be protected by it. Far was any one from foreseeing that so poor and slight a thing as the Exposition was the beginning of forty years of strife. It is evident from the Banquo passage of Mr.

Banquo, upon hearing the fulfilment of the prophecy of the second witch, clearly expresses his opinion of the origin of the "foreknowledge" he has received, in the exclamation, "What, can the devil speak true?" For the devil most emphatically spoke through the witches; but how could he in any sense be said to speak through Norns?

Banquo went on: "I thought when I come out o' the 'orspital as it were all up wi' playin' the cornet. But I made up my mind as I'd try. So I kep' up practice all the way home from the Cape, and when we got to Southampton I could just manage to blow into the mouthpiece. It hurt a bit, too, I can tell you. You see, I can only play on one side o' my mouth like this.

Like much of Kelley's other music, it is also the work of a fearless and skilled programmatist, especially in the battle-scenes, where it suggests the crash of maces and swords, and the blare of horns, the galloping of horses, and the general din of huge battle. Leading-motives are much used, too, with good effect and most ingenious elaboration, notably the Banquo motive.

On Whyte's death he again breathed freely, when suddenly a second possessor of his fatal secret started up in the person of Roger Moreland. As the murder of Duncan had to be followed by that of Banquo, in order to render Macbeth safe, so he foresaw that while Roger Moreland lived his life would be one long misery.