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Updated: May 9, 2025
And another device, that of the catchword, which he took over from Scribe and the younger Dumas, and which, even in his hands, remains a mere trick in the early 'League of Youth, is so delicately utilized in certain of the later plays witness, the "vine-leaves in his hair" of 'Hedda Gabler' and the "white horses" in 'Rosmersholm' that these recurrent phrases are transformed into a prose equivalent of Wagner's leading-motives.
Like much of Kelley's other music, it is also the work of a fearless and skilled programmatist, especially in the battle-scenes, where it suggests the crash of maces and swords, and the blare of horns, the galloping of horses, and the general din of huge battle. Leading-motives are much used, too, with good effect and most ingenious elaboration, notably the Banquo motive.
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