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But these things will occasionally happen even with some of the latest edition of stars! Ysaye's musical prodigy made some extraordinary exhibitions with his classical contortions, but his imitations of an amateur violinist with "Home, Sweet Home" won the approval of all present and brought down the house. It was voted the best thing of the whole show.

"His technic," he repeated, "is not equal to Ysaye's?" He gave a laugh which might have been a sob, and sat up, suddenly, with his head erect and his shoulders squared. He had the shaken look of one who has recovered from a dangerous illness. But when he spoke again it was in the accents of every-day politeness. At an early hour the following morning, Mrs.

Ysaye's eminence as a violinist has been gained by hard work. He did not burst meteor-like upon the world, but he earned his position in the violin firmament by ten years of concert touring, during which time he passed successively through the stages of extreme sentimentality until he reached the "sea" of real sentiment.

I was living at Ysaye's home, and since I had never played the composition in public before, I began to worry about its interpretation. It is by means of concentration on the higher, the interpretative phases of one's Art that the technical side takes its proper, secondary place. Technic does not exist for me in the sense of a certain quantity of mechanical work which I must do.

In fact, Ysaye's standpoint toward music had a good deal in common with Rubinstein's and he often said he wished he could play the violin as Rubinstein did the piano. Ysaye is an artist who has transcended his own medium he has become a poet of sound. And unless the one studying with him could understand and appreciate this fact he made a poor teacher.

Don't you understand it now?" he demanded. Miss Warriner raised her head and frowned. She stared at Edouard with a pained expression of perplexity and doubt. "He shows no lack of feeling," she said, critically, "but his technic is not equal to Ysaye's." "Good God!" Corbin gasped. He sank away from Miss Warriner and stared at her with incredulous eyes.

Take the instrument out of Ysaye's hands, and put it into the hands of the first violin in the orchestra behind him; every note will be the same, the same general scheme of expression may be followed, but the thing that we shall hear will be another thing, just as much Bach, perhaps, but, because Ysaye is wanting, not the work of art, the creation, to which we have just listened.

For instance, the little finger of Ysaye's left hand bends inward somewhat as a result it is perfectly natural for him to make less use of the little finger, while it might be very difficult or almost impossible for another to employ the same fingering. And certain compositions and styles of composition are more adapted to one violinist than to another.

In 1876 Vieuxtemps heard him at Antwerp, and through his influence the Belgian government was induced to grant Ysaye a stipend in order to allow him to pursue his studies at Paris. There he was the pupil of Massart, who had also been the teacher of Wieniawski, Ysaye's master at Brussels.